Käthe Kollwitz
Need
Rejected version of plate 1 from the cycle A Weavers’ Revolt
1893–1897
Etching, drypoint, aquatint, sanding process, partially reworked in pencil on copperplate paper
Staatliche Museen zu Berlin, Kupferstichkabinett
The woman is clearly highlighted by the lighting, while the man is depicted merely as a dark silhouette.