{"id":12565,"date":"2025-01-14T14:48:30","date_gmt":"2025-01-14T13:48:30","guid":{"rendered":"https:\/\/www.kaethe-kollwitz.berlin\/?p=12565"},"modified":"2025-01-14T14:51:28","modified_gmt":"2025-01-14T13:51:28","slug":"art-of-investigation","status":"publish","type":"post","link":"https:\/\/www.kaethe-kollwitz.berlin\/en\/news\/art-of-investigation\/","title":{"rendered":"The art of investigation"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/4&#8243;][vc_column_text css=&#8221;.vc_custom_1736862434100{margin-right: 50px !important;padding-right: 50px !important;}&#8221;]<strong>LECTURE<\/strong><\/p>\n<p><strong>on January 23, 2025\u00a0 <\/strong><\/p>\n<p><strong>at 19:00<br \/>\n<\/strong><\/p>\n<p>Entrance 8,00 euros | reduced 5,00 euros<\/p>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<strong>The collection presentation <\/strong><br \/>\n<strong>can be visited until <\/strong><br \/>\n<strong>the start of the lecture at 19:00.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>[\/vc_column_text]<div class=\"ult-spacer spacer-6a25266e3a04b\" data-id=\"6a25266e3a04b\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_column_text css=&#8221;.vc_custom_1736862218590{padding-right: 50px !important;}&#8221;]<strong>Insights into the work of German art investigators or <\/strong><b><span lang=\"EN-US\">How to get to the bottom of art forgers<\/span><\/b>.[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1736862238184{margin-right: 50px !important;padding-right: 50px !important;}&#8221;]A special evening with a special topic! Our guest is Berlin chief detective Ren\u00e9 Allonge: he convicts forgers and art thieves.<\/p>\n<p>Ever since art has existed or been traded in, the criminal trade has also existed. Even works by K\u00e4the Kollwitz were forged during her lifetime and beyond. In recent years, spectacular art thefts and art forgeries have repeatedly made headlines. In these cases, the expertise and know-how of art investigators is required to track down the stolen works of art and the thieves. But how do you become an art investigator and how do the investigators work?[\/vc_column_text][vc_separator][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;11839&#8243; img_size=&#8221;full&#8221; onclick=&#8221;img_link_large&#8221; css=&#8221;.vc_custom_1736850326022{padding-right: 25px !important;}&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1736862310676{margin-right: 50px !important;padding-right: 50px !important;}&#8221;]Ren\u00e9 Allonge gives an insight into the everyday life of an art investigator and presents some unusual cases. The best-known cases of the special unit led by Ren\u00e9 Allonge include the conviction of international art forger Wolfgang Beltracchi, the discovery of the Walking Horses by Nazi sculptor Josef Thorak and the diaries of John Lennon, the investigation of the break-in at the Bode Museum, in which the 100-kilogram gold coin \u201cBig Maple Leaf\u201d was stolen, as well as the investigation of the Gotha art heist from 1979 and the discovery of the stolen Old Master paintings.<\/p>\n<p>In an interview for arte magazine in November 2022, the experienced art investigator said: <em>\u201cI walk through a museum with different eyes. Art investigators immediately look for security devices; we are equipped with a professional skepticism.\u201d<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>We look forward to an inspiring evening![\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator][vc_column_text css=&#8221;.vc_custom_1736862331127{margin-right: 50px !important;padding-right: 50px !important;}&#8221;]Born in the GDR in 1973, <strong>Ren\u00e9 Allonge<\/strong> began his career in 1992 in the senior ranks of the Berlin criminal investigation department. After studying at the Berlin School of Economics and Law, he became an investigator in the organized property crime division of the Berlin State Criminal Police Office in 1997. Since 2009, he has been chief investigator for art crime at the Berlin State Criminal Police Office and is one of the most renowned art investigators in Germany.[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1736862346313{margin-right: 50px !important;padding-right: 50px !important;}&#8221;]<\/p>\n<p class=\"Text\"><span lang=\"EN-US\">Two documentaries are recommended for anyone who is interested in the topic and would like to find out more in advance of the lecture: <\/span><\/p>\n<p><a href=\"https:\/\/www.zdf.de\/dokumentation\/zdfinfo-doku\/ermittler-kunstraeubern-auf-der-spur-100.html\" target=\"_blank\" rel=\"noopener\">ZDF Dokumentation: Kunstr\u00e4ubern auf der Spur<\/a><\/p>\n<p><a href=\"https:\/\/www.ardmediathek.de\/video\/alpha-doku\/art-crimes-frans-hals-gotha-1979-oder-doku-ueber-kunstraub\/ard-alpha\/Y3JpZDovL2JyLmRlL2Jyb2FkY2FzdC9GMjAyM1dPMDAzODQ2QTA\" target=\"_blank\" rel=\"noopener\">ARD Mediathek: Art Crimes<\/a><\/p>\n<p>[\/vc_column_text][vc_separator][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_single_image image=&#8221;12556&#8243; img_size=&#8221;full&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][vc_column_text css=&#8221;&#8221;]<em>Transport of the Thorak horses by the technical relief organisation (THW), photo: Ren\u00e9 Allonge<\/em>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][vc_separator]<div class=\"ult-spacer spacer-6a25266e3a0a0\" data-id=\"6a25266e3a0a0\" data-height=\"25\" data-height-mobile=\"25\" data-height-tab=\"25\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_row_inner disable_element=&#8221;yes&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<p>Workshop<\/p>\n<h3>DRUCKWERKSTATT<\/h3>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][vc_single_image image=&#8221;5998&#8243; img_size=&#8221;300&#215;294&#8243;][vc_column_text css=&#8221;.vc_custom_1648673401236{margin-right: 25px !important;border-right-width: 25px !important;}&#8221;]<\/p>\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<p><strong>12.00 bis 15.00 Uhr<\/strong><\/p>\n<p>K\u00e4the Kollwitz hat nicht nur Bilder gezeichnet, sondern auch Druckgraphiken hergestellt &#8211; zum Beispiel f\u00fcr Flugbl\u00e4tter und Plakate, wie ihr ber\u00fchmtes Plakat &#8220;Nie wieder Krieg!&#8221;.<\/p>\n<p>Im Workshop gibt es n\u00e4heres \u00fcber k\u00fcnstlerische Drucktechniken zu erfahren, Bildbeispiele von K\u00e4the Kollwitz in der Ausstellung zu sehen und die gro\u00dfe Ausdruckskraft dieser Bildsprache kennenzulernen. Anschlie\u00dfend k\u00f6nnen eigene Werke mit einem \u00e4hnlichen Verfahren gestaltet und sich dabei so richtig ausgedruckt werden!<\/p>\n<p>Der Workshop wird in Kooperation mit <em>Jugend Im Museum<\/em>\u00a0e.V. angeboten.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Drop-In-Angebot<\/strong><\/p>\n<p>Bringen Sie min. 1 Stunde Arbeits\u00adzeit mit.<br \/>\nZeit\u00ad\u00adgleich k\u00f6nnen maximal\u00a0drei Familien oder\u00a0Haus\u00ad\u00adhalte teil\u00ad\u00adnehmen.<\/p>\n<p>&nbsp;<\/p>\n<p><b>Sprachen:<\/b> Deutsch, Spanisch<\/p>\n<p><b>Altersempfehlung:<\/b> Ab 8 Jahren<\/p>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<p>Digitaler Begleiter<\/p>\n<h3>KOLLWITZ-GUIDE<\/h3>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][vc_single_image image=&#8221;6086&#8243; img_size=&#8221;full&#8221;][vc_column_text]<\/p>\n<div>\n<p><strong>11.00 bis 16.00 Uhr<\/strong><\/p>\n<p>Individuell und anspruchsvoll begleitet, kann man kontaktlos mit dem <strong>Kollwitz-Guide<\/strong> durch die R\u00e4ume der Dauerausstellung streifen.<\/p>\n<p>Mit spannenden kulturhistorischen und biografischen Hintergrundinformationen werden die Zeichnungen, Graphiken und Plastiken von K\u00e4the Kollwitz in den zeitlichen Kontext gesetzt.<\/p>\n<p>Der Multimedia-Guide ist bequem auf dem eigenen Smartphone im Browser zu \u00f6ffnen \u2013 eine App zu installieren ist nicht notwendig.<\/p>\n<p>&nbsp;<\/p>\n<p><b>Sprachen:<\/b> Englisch, Deutsch<\/p>\n<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner]<div class=\"ult-spacer spacer-6a25266e3a0cb\" data-id=\"6a25266e3a0cb\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>LECTURE<\/p>\n<p>A special evening with a special topic! Our guest is Berlin chief detective Ren\u00e9 Allonge: he convicts forgers and art thieves. <\/p>\n<p>Thursday, January 23, 2025<br \/>\n19:00<br \/>\nEntrance 8,00 euros | reduced 5,00 euros <\/p>\n","protected":false},"author":2,"featured_media":11839,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[],"class_list":["post-12565","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-14","description-off"],"_links":{"self":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/posts\/12565","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/comments?post=12565"}],"version-history":[{"count":3,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/posts\/12565\/revisions"}],"predecessor-version":[{"id":12568,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/posts\/12565\/revisions\/12568"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/media\/11839"}],"wp:attachment":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/media?parent=12565"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/categories?post=12565"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/tags?post=12565"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}