{"id":15698,"date":"2026-02-26T14:37:14","date_gmt":"2026-02-26T13:37:14","guid":{"rendered":"https:\/\/www.kaethe-kollwitz.berlin\/?post_type=dt_portfolio&#038;p=15698"},"modified":"2026-02-26T14:37:14","modified_gmt":"2026-02-26T13:37:14","slug":"georg-kolbe","status":"publish","type":"dt_portfolio","link":"https:\/\/www.kaethe-kollwitz.berlin\/en\/project\/georg-kolbe\/","title":{"rendered":"Georg Kolbe"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;](Waldheim 1877 \u2013 1947 Berlin)<\/p>\n<p>Kolbe initially studied painting in Dresden, Munich, and Paris, before turning to sculpture in Rome around 1900. He moved to Berlin in 1904, where he made his breakthrough in 1912 with his sculpture \u201cDancer.\u201d Kolbe influenced the \u201cexpressive sculpture\u201d of the period before World War I with his restrained, moving nude figures and soon became one of the most successful German sculptors. During the Nazi era, his works were accepted, although he was not one of the regime&#8217;s favorites.[\/vc_column_text]<div class=\"ult-spacer spacer-69e73af47eac0\" data-id=\"69e73af47eac0\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;]<div class=\"ult-spacer spacer-69e73af47eb09\" data-id=\"69e73af47eb09\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<hr \/>\n<p>[\/vc_column_text]<style type=\"text\/css\">#dt-btn-1 {color: #888888;border-color: #ffffff;}#dt-btn-1 > .text-wrap * {color: #888888;}#dt-btn-1:hover {color: #ffffff;background: #888888;border-color: #888888;}#dt-btn-1:hover > .text-wrap * {color: #ffffff;}<\/style><a href=\"en\/theater\/\" class=\"btn-shortcode dt-btn-m dt-btn outline-bg-btn custom-btn-color custom-btn-hover-color\" id=\"dt-btn-1\"><span>&lt; back<\/span><\/a><div class=\"ult-spacer spacer-69e73af47ebf2\" data-id=\"69e73af47ebf2\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>(Waldheim 1877 \u2013 1947 Berlin)<\/p>\n<p>Kolbe initially studied painting in Dresden, Munich, and Paris, before turning to sculpture in Rome around 1900. He moved to Berlin in 1904, where he made his breakthrough in 1912 with his sculpture \u201cDancer.\u201d Kolbe influenced the \u201cexpressive sculpture\u201d of the period before World War I with his restrained, moving nude figures and soon became one of the most successful German sculptors. During the Nazi era, his works were accepted, although he was not one of the regime&#8217;s favorites.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[201],"dt_portfolio_tags":[],"class_list":["post-15698","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-bio-five","dt_portfolio_category-201","description-off"],"_links":{"self":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15698","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/comments?post=15698"}],"version-history":[{"count":1,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15698\/revisions"}],"predecessor-version":[{"id":15700,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15698\/revisions\/15700"}],"wp:attachment":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/media?parent=15698"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=15698"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=15698"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}