{"id":15612,"date":"2026-02-25T16:19:16","date_gmt":"2026-02-25T15:19:16","guid":{"rendered":"https:\/\/www.kaethe-kollwitz.berlin\/?post_type=dt_portfolio&#038;p=15612"},"modified":"2026-02-25T16:19:16","modified_gmt":"2026-02-25T15:19:16","slug":"alfred-roller","status":"publish","type":"dt_portfolio","link":"https:\/\/www.kaethe-kollwitz.berlin\/en\/project\/alfred-roller\/","title":{"rendered":"Alfred Roller"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;](Br\u00fcnn 1864\u20131935 Wien)<\/p>\n<p>Born into a family of artists, Alfred Roller studied at the Vienna Academy and became a co-founder of the Vienna Secession in 1897. Until 1903, he worked as a teacher at the School of Applied Arts, then moved to the Vienna State Opera as head of set design, where he established the idea of the scenic Gesamtkunstwerk (complete work of art) together with Gustav Mahler. In 1909, Roller became director of the School of Applied Arts in Vienna, at the same time beginning his long-standing collaboration with Max Reinhardt in Berlin.[\/vc_column_text]<div class=\"ult-spacer spacer-69e4b417e3340\" data-id=\"69e4b417e3340\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;]<div class=\"ult-spacer spacer-69e4b417e338b\" data-id=\"69e4b417e338b\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<hr \/>\n<p>[\/vc_column_text]<style type=\"text\/css\">#dt-btn-1 {color: #888888;border-color: #ffffff;}#dt-btn-1 > .text-wrap * {color: #888888;}#dt-btn-1:hover {color: #ffffff;background: #888888;border-color: #888888;}#dt-btn-1:hover > .text-wrap * {color: #ffffff;}<\/style><a href=\"en\/theater\/\" class=\"btn-shortcode dt-btn-m dt-btn outline-bg-btn custom-btn-color custom-btn-hover-color\" id=\"dt-btn-1\"><span>&lt; back<\/span><\/a><div class=\"ult-spacer spacer-69e4b417e3483\" data-id=\"69e4b417e3483\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>(Br\u00fcnn 1864\u20131935 Wien)<\/p>\n<p>Born into a family of artists, Alfred Roller studied at the Vienna Academy and became a co-founder of the Vienna Secession in 1897. Until 1903, he worked as a teacher at the School of Applied Arts, then moved to the Vienna State Opera as head of set design, where he established the idea of the scenic Gesamtkunstwerk (complete work of art) together with Gustav Mahler. In 1909, Roller became director of the School of Applied Arts in Vienna, at the same time beginning his long-standing collaboration with Max Reinhardt in Berlin.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[200,197],"dt_portfolio_tags":[],"class_list":["post-15612","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-bio-four","dt_portfolio_category-bio-one","dt_portfolio_category-200","dt_portfolio_category-197","description-off"],"_links":{"self":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15612","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/comments?post=15612"}],"version-history":[{"count":2,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15612\/revisions"}],"predecessor-version":[{"id":15618,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15612\/revisions\/15618"}],"wp:attachment":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/media?parent=15612"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=15612"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=15612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}