{"id":15435,"date":"2026-02-22T18:09:17","date_gmt":"2026-02-22T17:09:17","guid":{"rendered":"https:\/\/www.kaethe-kollwitz.berlin\/?post_type=dt_portfolio&#038;p=15435"},"modified":"2026-02-22T18:09:17","modified_gmt":"2026-02-22T17:09:17","slug":"106","status":"publish","type":"dt_portfolio","link":"https:\/\/www.kaethe-kollwitz.berlin\/en\/project\/106\/","title":{"rendered":"106"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]Paul Poiret<\/p>\n<p>Vera Fokina and Mikhail Fokine in \u201cCl\u00e9op\u00e2tre\u201d<\/p>\n<p>undated<\/p>\n<p>&nbsp;<\/p>\n<p>Ink and watercolor<\/p>\n<p>&nbsp;<\/p>\n<p>John Neumeier Foundation, Hamburg<\/p>\n<p>&nbsp;<\/p>\n<p>The 1910 program of the Ballets Russes also included the ballet \u201cCleopatra.\u201d The choreography was also by Mikhail Fokine (1880\u20131942) and was based on music by several composers, including Nikolai Rimsky-Korsakov (1844\u20131908) and Modest Mussorgsky (1839\u20131881).[\/vc_column_text]<div class=\"ult-spacer spacer-69e28ff7ac727\" data-id=\"69e28ff7ac727\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;]<div class=\"ult-spacer spacer-69e28ff7ac77c\" data-id=\"69e28ff7ac77c\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<hr \/>\n<p>[\/vc_column_text]<style type=\"text\/css\">#dt-btn-1 {color: #888888;border-color: #ffffff;}#dt-btn-1 > .text-wrap * {color: #888888;}#dt-btn-1:hover {color: #ffffff;background: #888888;border-color: #888888;}#dt-btn-1:hover > .text-wrap * {color: #ffffff;}<\/style><a href=\"\/theater\/\" class=\"btn-shortcode dt-btn-m dt-btn outline-bg-btn custom-btn-color custom-btn-hover-color\" id=\"dt-btn-1\"><span>&lt; zur\u00fcck<\/span><\/a><div class=\"ult-spacer spacer-69e28ff7ac894\" data-id=\"69e28ff7ac894\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Paul Poiret<br \/>\nVera Fokina and Mikhail Fokine in \u201cCl\u00e9op\u00e2tre\u201d<br \/>\nundated<\/p>\n<p>Ink and watercolor<\/p>\n<p>John Neumeier Foundation, Hamburg<\/p>\n<p>The 1910 program of the Ballets Russes also included the ballet \u201cCleopatra.\u201d The choreography was also by Mikhail Fokine (1880\u20131942) and was based on music by several composers, including Nikolai Rimsky-Korsakov (1844\u20131908) and Modest Mussorgsky (1839\u20131881).<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[191],"dt_portfolio_tags":[],"class_list":["post-15435","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-room-5","dt_portfolio_category-191","description-off"],"_links":{"self":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15435","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/comments?post=15435"}],"version-history":[{"count":1,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15435\/revisions"}],"predecessor-version":[{"id":15437,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15435\/revisions\/15437"}],"wp:attachment":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/media?parent=15435"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=15435"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=15435"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}