{"id":15432,"date":"2026-02-22T18:07:09","date_gmt":"2026-02-22T17:07:09","guid":{"rendered":"https:\/\/www.kaethe-kollwitz.berlin\/?post_type=dt_portfolio&#038;p=15432"},"modified":"2026-02-22T18:07:09","modified_gmt":"2026-02-22T17:07:09","slug":"105","status":"publish","type":"dt_portfolio","link":"https:\/\/www.kaethe-kollwitz.berlin\/en\/project\/105\/","title":{"rendered":"105"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]Ernst Oppler<\/p>\n<p>Le Carnaval<\/p>\n<p>circa 1917<\/p>\n<p>&nbsp;<\/p>\n<p>Etching, drypoint<\/p>\n<p>&nbsp;<\/p>\n<p>German Dance Archive Cologne \/ SK Foundation for Culture<\/p>\n<p>&nbsp;<\/p>\n<p>On May 20, 1910, one day before K\u00e4the Kollwitz saw the Ballets Russes perform a mixed program on stage, a new ballet choreographed by Mikhail Fokine (1880\u20131942) premiered at the Theater des Westens. Le Carnaval, based on the piano suite of the same name by Robert Schumann (1810\u20131856) and featuring costumes by L\u00e9on Bakst (1866\u20131924), is one of the company&#8217;s most legendary pieces. Ernst Oppler (1867\u20131929) depicts dancers Tamara Karsavina (1885\u20131978) and Vaslav Nijinsky (1889\u20131950) here.[\/vc_column_text]<div class=\"ult-spacer spacer-69e28f8aacc43\" data-id=\"69e28f8aacc43\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;]<div class=\"ult-spacer spacer-69e28f8aacc97\" data-id=\"69e28f8aacc97\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<hr \/>\n<p>[\/vc_column_text]<style type=\"text\/css\">#dt-btn-1 {color: #888888;border-color: #ffffff;}#dt-btn-1 > .text-wrap * {color: #888888;}#dt-btn-1:hover {color: #ffffff;background: #888888;border-color: #888888;}#dt-btn-1:hover > .text-wrap * {color: #ffffff;}<\/style><a href=\"\/theater\/\" class=\"btn-shortcode dt-btn-m dt-btn outline-bg-btn custom-btn-color custom-btn-hover-color\" id=\"dt-btn-1\"><span>&lt; zur\u00fcck<\/span><\/a><div class=\"ult-spacer spacer-69e28f8aacd9a\" data-id=\"69e28f8aacd9a\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Ernst Oppler<br \/>\nLe Carnaval<br \/>\ncirca 1917<\/p>\n<p>Etching, drypoint<\/p>\n<p>German Dance Archive Cologne \/ SK Foundation for Culture<\/p>\n<p>On May 20, 1910, one day before K\u00e4the Kollwitz saw the Ballets Russes perform a mixed program on stage, a new ballet choreographed by Mikhail Fokine (1880\u20131942) premiered at the Theater des Westens. Le Carnaval, based on the piano suite of the same name by Robert Schumann (1810\u20131856) and featuring costumes by L\u00e9on Bakst (1866\u20131924), is one of the company&#8217;s most legendary pieces. Ernst Oppler (1867\u20131929) depicts dancers Tamara Karsavina (1885\u20131978) and Vaslav Nijinsky (1889\u20131950) here.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[191],"dt_portfolio_tags":[],"class_list":["post-15432","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-room-5","dt_portfolio_category-191","description-off"],"_links":{"self":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15432","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/comments?post=15432"}],"version-history":[{"count":1,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15432\/revisions"}],"predecessor-version":[{"id":15434,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15432\/revisions\/15434"}],"wp:attachment":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/media?parent=15432"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=15432"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=15432"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}