{"id":15419,"date":"2026-02-22T17:58:19","date_gmt":"2026-02-22T16:58:19","guid":{"rendered":"https:\/\/www.kaethe-kollwitz.berlin\/?post_type=dt_portfolio&#038;p=15419"},"modified":"2026-02-22T17:58:19","modified_gmt":"2026-02-22T16:58:19","slug":"102","status":"publish","type":"dt_portfolio","link":"https:\/\/www.kaethe-kollwitz.berlin\/en\/project\/102\/","title":{"rendered":"102"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]Ludwig Kainer<\/p>\n<p>Tamara Karsavina in the \u201cPolovtsian Dances\u201d<\/p>\n<p>undated<\/p>\n<p>&nbsp;<\/p>\n<p>Lithograph, hand-colored<\/p>\n<p>&nbsp;<\/p>\n<p>John Neumeier Foundation, Hamburg<\/p>\n<p>&nbsp;<\/p>\n<p>In addition to classical dances, the Ballets Russes also had pieces with folkloric elements in their repertoire. The \u201cPolovtsian Dances\u201d to music by Alexander Borodin (1833\u20131887) originated in the opera \u201cPrince Igor,\u201d and Fokine (1880\u20131942) had reworked them into a ballet in its own right.[\/vc_column_text]<div class=\"ult-spacer spacer-69e28fe43e9fd\" data-id=\"69e28fe43e9fd\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;]<div class=\"ult-spacer spacer-69e28fe43ea48\" data-id=\"69e28fe43ea48\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<hr \/>\n<p>[\/vc_column_text]<style type=\"text\/css\">#dt-btn-1 {color: #888888;border-color: #ffffff;}#dt-btn-1 > .text-wrap * {color: #888888;}#dt-btn-1:hover {color: #ffffff;background: #888888;border-color: #888888;}#dt-btn-1:hover > .text-wrap * {color: #ffffff;}<\/style><a href=\"\/theater\/\" class=\"btn-shortcode dt-btn-m dt-btn outline-bg-btn custom-btn-color custom-btn-hover-color\" id=\"dt-btn-1\"><span>&lt; zur\u00fcck<\/span><\/a><div class=\"ult-spacer spacer-69e28fe43eb3c\" data-id=\"69e28fe43eb3c\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Ludwig Kainer<br \/>\nTamara Karsavina in the \u201cPolovtsian Dances\u201d<br \/>\nundated<\/p>\n<p>Lithograph, hand-colored<\/p>\n<p>John Neumeier Foundation, Hamburg<\/p>\n<p>In addition to classical dances, the Ballets Russes also had pieces with folkloric elements in their repertoire. The \u201cPolovtsian Dances\u201d to music by Alexander Borodin (1833\u20131887) originated in the opera \u201cPrince Igor,\u201d and Fokine (1880\u20131942) had reworked them into a ballet in its own right.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[191],"dt_portfolio_tags":[],"class_list":["post-15419","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-room-5","dt_portfolio_category-191","description-off"],"_links":{"self":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15419","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/comments?post=15419"}],"version-history":[{"count":1,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15419\/revisions"}],"predecessor-version":[{"id":15421,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15419\/revisions\/15421"}],"wp:attachment":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/media?parent=15419"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=15419"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=15419"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}