{"id":15411,"date":"2026-02-22T17:54:04","date_gmt":"2026-02-22T16:54:04","guid":{"rendered":"https:\/\/www.kaethe-kollwitz.berlin\/?post_type=dt_portfolio&#038;p=15411"},"modified":"2026-02-22T17:54:04","modified_gmt":"2026-02-22T16:54:04","slug":"100","status":"publish","type":"dt_portfolio","link":"https:\/\/www.kaethe-kollwitz.berlin\/en\/project\/100\/","title":{"rendered":"100"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]Josef Lorenzl<\/p>\n<p>Caged Bird<\/p>\n<p>Niddy Impekoven in a butterfly costume<\/p>\n<p>1925<\/p>\n<p>&nbsp;<\/p>\n<p>Porcelain, painted (manufacturer: Goldscheider, Vienna)<\/p>\n<p>&nbsp;<\/p>\n<p>John Neumeier Foundation, Hamburg<\/p>\n<p>&nbsp;<\/p>\n<p>In April 1920, K\u00e4the Kollwitz wrote in her diary: \u201cSaw Niddy Impekoven dance. Very talented. Great skill, temperament, charm.\u201d Niddy Impekoven (1904\u20132002) was considered a dancing prodigy. After training in classical ballet, she turned to the then emerging art of expressive dance and, from 1918 onwards, developed solo programs for herself, including her choreography \u201cDer gefangene Vogel\u201d (The Caged Bird) to music by Bruno Hartl (1880\u20131939).[\/vc_column_text]<div class=\"ult-spacer spacer-69e4b118e3125\" data-id=\"69e4b118e3125\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;]<div class=\"ult-spacer spacer-69e4b118e317c\" data-id=\"69e4b118e317c\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<hr \/>\n<p>[\/vc_column_text]<style type=\"text\/css\">#dt-btn-1 {color: #888888;border-color: #ffffff;}#dt-btn-1 > .text-wrap * {color: #888888;}#dt-btn-1:hover {color: #ffffff;background: #888888;border-color: #888888;}#dt-btn-1:hover > .text-wrap * {color: #ffffff;}<\/style><a href=\"\/theater\/\" class=\"btn-shortcode dt-btn-m dt-btn outline-bg-btn custom-btn-color custom-btn-hover-color\" id=\"dt-btn-1\"><span>&lt; zur\u00fcck<\/span><\/a><div class=\"ult-spacer spacer-69e4b118e33cc\" data-id=\"69e4b118e33cc\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Josef Lorenzl<br \/>\nCaged Bird<br \/>\nNiddy Impekoven in a butterfly costume<br \/>\n1925<\/p>\n<p>Porcelain, painted (manufacturer: Goldscheider, Vienna)<\/p>\n<p>John Neumeier Foundation, Hamburg<\/p>\n<p>In April 1920, K\u00e4the Kollwitz wrote in her diary: \u201cSaw Niddy Impekoven dance. Very talented. Great skill, temperament, charm.\u201d Niddy Impekoven (1904\u20132002) was considered a dancing prodigy. After training in classical ballet, she turned to the then emerging art of expressive dance and, from 1918 onwards, developed solo programs for herself, including her choreography \u201cDer gefangene Vogel\u201d (The Caged Bird) to music by Bruno Hartl (1880\u20131939).<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[191],"dt_portfolio_tags":[],"class_list":["post-15411","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-room-5","dt_portfolio_category-191","description-off"],"_links":{"self":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15411","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/comments?post=15411"}],"version-history":[{"count":1,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15411\/revisions"}],"predecessor-version":[{"id":15413,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15411\/revisions\/15413"}],"wp:attachment":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/media?parent=15411"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=15411"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=15411"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}