{"id":15392,"date":"2026-02-22T17:44:14","date_gmt":"2026-02-22T16:44:14","guid":{"rendered":"https:\/\/www.kaethe-kollwitz.berlin\/?post_type=dt_portfolio&#038;p=15392"},"modified":"2026-02-22T17:44:14","modified_gmt":"2026-02-22T16:44:14","slug":"95","status":"publish","type":"dt_portfolio","link":"https:\/\/www.kaethe-kollwitz.berlin\/en\/project\/95\/","title":{"rendered":"95"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]Hugo Lederer<\/p>\n<p>Anna Pavlova Feeding a Deer<\/p>\n<p>1928<\/p>\n<p>&nbsp;<\/p>\n<p>Bronze<\/p>\n<p>&nbsp;<\/p>\n<p>Karl H. Knauf Collection, Berlin<\/p>\n<p>&nbsp;<\/p>\n<p>The Russian prima ballerina Anna Pavlova (1881\u20131931) was a member of the famous Ballets Russes and an international star. She had been friends with the sculptor Hugo Lederer (1871\u20131940) since the 1920s. She worked briefly in his studio and, under his guidance, created two portrait statuettes of herself, which were made in ceramic. Lederer himself portrayed the dancer in a genre scene that paid homage to Pavlova&#8217;s famous pointe work in an unusual pose.[\/vc_column_text]<div class=\"ult-spacer spacer-6a255c339c973\" data-id=\"6a255c339c973\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;]<div class=\"ult-spacer spacer-6a255c339c9c8\" data-id=\"6a255c339c9c8\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<hr \/>\n<p>[\/vc_column_text]<style type=\"text\/css\">#dt-btn-1 {color: #888888;border-color: #ffffff;}#dt-btn-1 > .text-wrap * {color: #888888;}#dt-btn-1:hover {color: #ffffff;background: #888888;border-color: #888888;}#dt-btn-1:hover > .text-wrap * {color: #ffffff;}<\/style><a href=\"\/theater\/\" class=\"btn-shortcode dt-btn-m dt-btn outline-bg-btn custom-btn-color custom-btn-hover-color\" id=\"dt-btn-1\"><span>&lt; zur\u00fcck<\/span><\/a><div class=\"ult-spacer spacer-6a255c339cae9\" data-id=\"6a255c339cae9\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Hugo Lederer<br \/>\nAnna Pavlova Feeding a Deer<br \/>\n1928<\/p>\n<p>Bronze<\/p>\n<p>Karl H. Knauf Collection, Berlin<\/p>\n<p>The Russian prima ballerina Anna Pavlova (1881\u20131931) was a member of the famous Ballets Russes and an international star. She had been friends with the sculptor Hugo Lederer (1871\u20131940) since the 1920s. She worked briefly in his studio and, under his guidance, created two portrait statuettes of herself, which were made in ceramic. Lederer himself portrayed the dancer in a genre scene that paid homage to Pavlova&#8217;s famous pointe work in an unusual pose.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[191],"dt_portfolio_tags":[],"class_list":["post-15392","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-room-5","dt_portfolio_category-191","description-off"],"_links":{"self":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15392","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/comments?post=15392"}],"version-history":[{"count":1,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15392\/revisions"}],"predecessor-version":[{"id":15394,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15392\/revisions\/15394"}],"wp:attachment":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/media?parent=15392"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=15392"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=15392"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}