{"id":15379,"date":"2026-02-22T17:33:59","date_gmt":"2026-02-22T16:33:59","guid":{"rendered":"https:\/\/www.kaethe-kollwitz.berlin\/?post_type=dt_portfolio&#038;p=15379"},"modified":"2026-02-22T17:33:59","modified_gmt":"2026-02-22T16:33:59","slug":"92","status":"publish","type":"dt_portfolio","link":"https:\/\/www.kaethe-kollwitz.berlin\/en\/project\/92\/","title":{"rendered":"92"},"content":{"rendered":"<div class=\"wpb-content-wrapper\" id=\"wpb-content-root\"><p>[vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]Ernst Oppler<\/p>\n<p>Les Sylphides<\/p>\n<p>circa 1909<\/p>\n<p>&nbsp;<\/p>\n<p>Lithograph<\/p>\n<p>&nbsp;<\/p>\n<p>German Dance Archive Cologne \/ SK Foundation for Culture<\/p>\n<p>&nbsp;<\/p>\n<p>When K\u00e4the Kollwitz was invited by the Berlin Secession to a performance of the Ballets Russes at the Theater des Westens in May 1910, she saw a mixed program of various ballets, probably in excerpts.<\/p>\n<p>This included the short ballet Les Sylphides, choreographed by Mikhail Fokine (1880\u20131942) to piano pieces by Fr\u00e9d\u00e9ric Chopin (1810\u20131849), which has no plot.[\/vc_column_text]<div class=\"ult-spacer spacer-6a8d3531a5d1a\" data-id=\"6a8d3531a5d1a\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;]<div class=\"ult-spacer spacer-6a8d3531a5d4b\" data-id=\"6a8d3531a5d4b\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<hr \/>\n<p>[\/vc_column_text]<style type=\"text\/css\">#dt-btn-1 {color: #888888;border-color: #ffffff;}#dt-btn-1 > .text-wrap * {color: #888888;}#dt-btn-1:hover {color: #ffffff;background: #888888;border-color: #888888;}#dt-btn-1:hover > .text-wrap * {color: #ffffff;}<\/style><a href=\"\/theater\/\" class=\"btn-shortcode dt-btn-m dt-btn outline-bg-btn custom-btn-color custom-btn-hover-color\" id=\"dt-btn-1\"><span>&lt; zur\u00fcck<\/span><\/a><div class=\"ult-spacer spacer-6a8d3531a5df8\" data-id=\"6a8d3531a5df8\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Ernst Oppler<br \/>\nLes Sylphides<br \/>\ncirca 1909<\/p>\n<p>Lithograph<\/p>\n<p>German Dance Archive Cologne \/ SK Foundation for Culture<\/p>\n<p>When K\u00e4the Kollwitz was invited by the Berlin Secession to a performance of the Ballets Russes at the Theater des Westens in May 1910, she saw a mixed program of various ballets, probably in excerpts.<br \/>\nThis included the short ballet Les Sylphides, choreographed by Mikhail Fokine (1880\u20131942) to piano pieces by Fr\u00e9d\u00e9ric Chopin (1810\u20131849), which has no plot.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[191],"dt_portfolio_tags":[],"class_list":["post-15379","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-room-5","dt_portfolio_category-191","description-off"],"_links":{"self":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15379","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/comments?post=15379"}],"version-history":[{"count":1,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15379\/revisions"}],"predecessor-version":[{"id":15381,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15379\/revisions\/15381"}],"wp:attachment":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/media?parent=15379"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=15379"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=15379"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}