{"id":15370,"date":"2026-02-22T17:28:14","date_gmt":"2026-02-22T16:28:14","guid":{"rendered":"https:\/\/www.kaethe-kollwitz.berlin\/?post_type=dt_portfolio&#038;p=15370"},"modified":"2026-02-22T17:28:14","modified_gmt":"2026-02-22T16:28:14","slug":"90","status":"publish","type":"dt_portfolio","link":"https:\/\/www.kaethe-kollwitz.berlin\/en\/project\/90\/","title":{"rendered":"90"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]Ernst Stern<\/p>\n<p>Figurines (costume designs) for \u201cDas Mirakel\u201d (The Miracle)<\/p>\n<p>undated<\/p>\n<p>(Directed by Max Reinhardt, premiered in London, 1911)<\/p>\n<p>&nbsp;<\/p>\n<p>Ink, watercolor<\/p>\n<p>&nbsp;<\/p>\n<p>Theater Studies Collection of the University of Cologne<\/p>\n<p>&nbsp;<\/p>\n<p>The play \u201cDas Mirakel,\u201d with sets designed by Ernst Stern (1876\u20131954), did not premiere in Germany until 1914 at the Zirkus Busch in Berlin. K\u00e4the Kollwitz saw the play in the same year together with her son Hans. She was apparently rather critical of pseudo-religious motifs, although one can also see reflections of some scenes in her later woodcuts.<\/p>\n<p>Ernst Matray (1891\u20131978), who later married Kollwitz&#8217;s youngest niece (stage name Maria Solveg), danced the role of the shady minstrel in \u201cDas Mirakel.\u201d[\/vc_column_text]<div class=\"ult-spacer spacer-6a255c277dd30\" data-id=\"6a255c277dd30\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;]<div class=\"ult-spacer spacer-6a255c277dd61\" data-id=\"6a255c277dd61\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<hr \/>\n<p>[\/vc_column_text]<style type=\"text\/css\">#dt-btn-1 {color: #888888;border-color: #ffffff;}#dt-btn-1 > .text-wrap * {color: #888888;}#dt-btn-1:hover {color: #ffffff;background: #888888;border-color: #888888;}#dt-btn-1:hover > .text-wrap * {color: #ffffff;}<\/style><a href=\"\/theater\/\" class=\"btn-shortcode dt-btn-m dt-btn outline-bg-btn custom-btn-color custom-btn-hover-color\" id=\"dt-btn-1\"><span>&lt; zur\u00fcck<\/span><\/a><div class=\"ult-spacer spacer-6a255c277de02\" data-id=\"6a255c277de02\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Ernst Stern<br \/>\nFigurines (costume designs) for \u201cDas Mirakel\u201d (The Miracle)<br \/>\nundated<\/p>\n<p>(Directed by Max Reinhardt, premiered in London, 1911)<\/p>\n<p>Ink, watercolor<\/p>\n<p>Theater Studies Collection of the University of Cologne<\/p>\n<p>The play \u201cDas Mirakel,\u201d with sets designed by Ernst Stern (1876\u20131954), did not premiere in Germany until 1914 at the Zirkus Busch in Berlin. K\u00e4the Kollwitz saw the play in the same year together with her son Hans. She was apparently rather critical of pseudo-religious motifs, although one can also see reflections of some scenes in her later woodcuts.<br \/>\nErnst Matray (1891\u20131978), who later married Kollwitz&#8217;s youngest niece (stage name Maria Solveg), danced the role of the shady minstrel in \u201cDas Mirakel.\u201d<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[191],"dt_portfolio_tags":[],"class_list":["post-15370","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-room-5","dt_portfolio_category-191","description-off"],"_links":{"self":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15370","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/comments?post=15370"}],"version-history":[{"count":1,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15370\/revisions"}],"predecessor-version":[{"id":15372,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15370\/revisions\/15372"}],"wp:attachment":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/media?parent=15370"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=15370"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=15370"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}