{"id":15367,"date":"2026-02-22T17:25:52","date_gmt":"2026-02-22T16:25:52","guid":{"rendered":"https:\/\/www.kaethe-kollwitz.berlin\/?post_type=dt_portfolio&#038;p=15367"},"modified":"2026-02-22T17:25:52","modified_gmt":"2026-02-22T16:25:52","slug":"89","status":"publish","type":"dt_portfolio","link":"https:\/\/www.kaethe-kollwitz.berlin\/en\/project\/89\/","title":{"rendered":"89"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]Ernst Stern<\/p>\n<p>Scene from \u201cDas Mirakel\u201d (The Miracle)<\/p>\n<p>(Production by Max Reinhardt at Circus Busch Berlin, 1914)<\/p>\n<p>undated<\/p>\n<p>&nbsp;<\/p>\n<p>Mixed media<\/p>\n<p>&nbsp;<\/p>\n<p>Theatre Studies Collection of the University of Cologne<\/p>\n<p>&nbsp;<\/p>\n<p>Unlike the pantomime \u201cSumur\u00fbn,\u201d the staging of Karl Gustav Vollmoeller&#8217;s (1878\u20131948) medieval-style mystery song and dance play \u201cDas Mirakel\u201d was another major project by Max Reinhardt (1873\u20131943). With an enormous investment in personnel and stage technology, the director premiered this stage work without spoken words in London. The production was an international success and enjoyed numerous revivals until the 1930s.[\/vc_column_text]<div class=\"ult-spacer spacer-69e28f93e03c1\" data-id=\"69e28f93e03c1\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;]<div class=\"ult-spacer spacer-69e28f93e03ff\" data-id=\"69e28f93e03ff\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<hr \/>\n<p>[\/vc_column_text]<style type=\"text\/css\">#dt-btn-1 {color: #888888;border-color: #ffffff;}#dt-btn-1 > .text-wrap * {color: #888888;}#dt-btn-1:hover {color: #ffffff;background: #888888;border-color: #888888;}#dt-btn-1:hover > .text-wrap * {color: #ffffff;}<\/style><a href=\"\/theater\/\" class=\"btn-shortcode dt-btn-m dt-btn outline-bg-btn custom-btn-color custom-btn-hover-color\" id=\"dt-btn-1\"><span>&lt; zur\u00fcck<\/span><\/a><div class=\"ult-spacer spacer-69e28f93e04d1\" data-id=\"69e28f93e04d1\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Ernst Stern<br \/>\nScene from \u201cDas Mirakel\u201d (The Miracle)<br \/>\nundated<\/p>\n<p>(Production by Max Reinhardt at Circus Busch Berlin, 1914) <\/p>\n<p>Mixed media<\/p>\n<p>Theatre Studies Collection of the University of Cologne<\/p>\n<p>Unlike the pantomime \u201cSumur\u00fbn,\u201d the staging of Karl Gustav Vollmoeller&#8217;s (1878\u20131948) medieval-style mystery song and dance play \u201cDas Mirakel\u201d was another major project by Max Reinhardt (1873\u20131943). With an enormous investment in personnel and stage technology, the director premiered this stage work without spoken words in London. The production was an international success and enjoyed numerous revivals until the 1930s.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[191],"dt_portfolio_tags":[],"class_list":["post-15367","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-room-5","dt_portfolio_category-191","description-off"],"_links":{"self":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15367","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/comments?post=15367"}],"version-history":[{"count":1,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15367\/revisions"}],"predecessor-version":[{"id":15369,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15367\/revisions\/15369"}],"wp:attachment":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/media?parent=15367"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=15367"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=15367"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}