{"id":15319,"date":"2026-02-21T17:52:15","date_gmt":"2026-02-21T16:52:15","guid":{"rendered":"https:\/\/www.kaethe-kollwitz.berlin\/?post_type=dt_portfolio&#038;p=15319"},"modified":"2026-02-21T17:52:15","modified_gmt":"2026-02-21T16:52:15","slug":"77","status":"publish","type":"dt_portfolio","link":"https:\/\/www.kaethe-kollwitz.berlin\/en\/project\/77\/","title":{"rendered":"77"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]K\u00e4the Kollwitz<\/p>\n<p>The People<\/p>\n<p>1923<\/p>\n<p>&nbsp;<\/p>\n<p>Pencil<\/p>\n<p>&nbsp;<\/p>\n<p>K\u00e4the Kollwitz Museum Cologne<\/p>\n<p>&nbsp;<\/p>\n<p>K\u00e4the Kollwitz&#8217;s depiction of the suffering people during the war seems to be influenced by her viewing experience of the 1910 production of \u201cOedipus Rex.\u201d After the performance, the artist described her impressions in her diary using vivid imagery. Years after her theater experience, she processed the despair of the war-torn people in her artwork.[\/vc_column_text]<div class=\"ult-spacer spacer-69e74c225cd29\" data-id=\"69e74c225cd29\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;]<div class=\"ult-spacer spacer-69e74c225cd84\" data-id=\"69e74c225cd84\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<hr \/>\n<p>[\/vc_column_text]<style type=\"text\/css\">#dt-btn-1 {color: #888888;border-color: #ffffff;}#dt-btn-1 > .text-wrap * {color: #888888;}#dt-btn-1:hover {color: #ffffff;background: #888888;border-color: #888888;}#dt-btn-1:hover > .text-wrap * {color: #ffffff;}<\/style><a href=\"\/theater\/\" class=\"btn-shortcode dt-btn-m dt-btn outline-bg-btn custom-btn-color custom-btn-hover-color\" id=\"dt-btn-1\"><span>&lt; zur\u00fcck<\/span><\/a><div class=\"ult-spacer spacer-69e74c225ceab\" data-id=\"69e74c225ceab\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>K\u00e4the Kollwitz<br \/>\nThe People<br \/>\n1923<\/p>\n<p>Pencil<\/p>\n<p>K\u00e4the Kollwitz Museum Cologne<\/p>\n<p>K\u00e4the Kollwitz&#8217;s depiction of the suffering people during the war seems to be influenced by her viewing experience of the 1910 production of \u201cOedipus Rex.\u201d After the performance, the artist described her impressions in her diary using vivid imagery. Years after her theater experience, she processed the despair of the war-torn people in her artwork.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[183],"dt_portfolio_tags":[],"class_list":["post-15319","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-room-4","dt_portfolio_category-183","description-off"],"_links":{"self":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15319","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/comments?post=15319"}],"version-history":[{"count":1,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15319\/revisions"}],"predecessor-version":[{"id":15321,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15319\/revisions\/15321"}],"wp:attachment":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/media?parent=15319"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=15319"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=15319"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}