{"id":15303,"date":"2026-02-21T17:35:30","date_gmt":"2026-02-21T16:35:30","guid":{"rendered":"https:\/\/www.kaethe-kollwitz.berlin\/?post_type=dt_portfolio&#038;p=15303"},"modified":"2026-02-21T17:35:30","modified_gmt":"2026-02-21T16:35:30","slug":"73","status":"publish","type":"dt_portfolio","link":"https:\/\/www.kaethe-kollwitz.berlin\/en\/project\/73\/","title":{"rendered":"73"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]Emil Orlik<\/p>\n<p>In front of the palace from \u201cOedipus Rex\u201d<\/p>\n<p>1910<\/p>\n<p>(Production by Max Reinhardt at Circus Schumann Berlin, 1910)<\/p>\n<p>&nbsp;<\/p>\n<p>Gouache<\/p>\n<p>&nbsp;<\/p>\n<p>Theater Studies Collection of the University of Cologne<\/p>\n<p>&nbsp;<\/p>\n<p>Emil Orlik (1870\u20131932) was just as fascinated by Max Reinhardt&#8217;s (1873\u20131943) production of \u201cOedipus Rex\u201d at Circus Schumann as K\u00e4the Kollwitz was. His depiction of a performance in front of an audience reveals the innovative nature of Reinhardt&#8217;s concept: the performance took place in the midst of the spectators, thus largely eliminating the separation between the audience and the stage. The spectators thus participated in the play as \u201cthe people,\u201d so to speak.[\/vc_column_text]<div class=\"ult-spacer spacer-6a2575a14a94d\" data-id=\"6a2575a14a94d\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;]<div class=\"ult-spacer spacer-6a2575a14a985\" data-id=\"6a2575a14a985\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<hr \/>\n<p>[\/vc_column_text]<style type=\"text\/css\">#dt-btn-1 {color: #888888;border-color: #ffffff;}#dt-btn-1 > .text-wrap * {color: #888888;}#dt-btn-1:hover {color: #ffffff;background: #888888;border-color: #888888;}#dt-btn-1:hover > .text-wrap * {color: #ffffff;}<\/style><a href=\"\/theater\/\" class=\"btn-shortcode dt-btn-m dt-btn outline-bg-btn custom-btn-color custom-btn-hover-color\" id=\"dt-btn-1\"><span>&lt; zur\u00fcck<\/span><\/a><div class=\"ult-spacer spacer-6a2575a14aa48\" data-id=\"6a2575a14aa48\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Emil Orlik<br \/>\nIn front of the palace from \u201cOedipus Rex\u201d<br \/>\n1910<br \/>\n(Production by Max Reinhardt at Circus Schumann Berlin, 1910)<\/p>\n<p>Gouache<\/p>\n<p>Theater Studies Collection of the University of Cologne<\/p>\n<p>Emil Orlik (1870\u20131932) was just as fascinated by Max Reinhardt&#8217;s (1873\u20131943) production of \u201cOedipus Rex\u201d at Circus Schumann as K\u00e4the Kollwitz was. His depiction of a performance in front of an audience reveals the innovative nature of Reinhardt&#8217;s concept: the performance took place in the midst of the spectators, thus largely eliminating the separation between the audience and the stage. The spectators thus participated in the play as \u201cthe people,\u201d so to speak.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[183],"dt_portfolio_tags":[],"class_list":["post-15303","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-room-4","dt_portfolio_category-183","description-off"],"_links":{"self":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15303","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/comments?post=15303"}],"version-history":[{"count":1,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15303\/revisions"}],"predecessor-version":[{"id":15305,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15303\/revisions\/15305"}],"wp:attachment":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/media?parent=15303"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=15303"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=15303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}