{"id":15286,"date":"2026-02-21T17:20:16","date_gmt":"2026-02-21T16:20:16","guid":{"rendered":"https:\/\/www.kaethe-kollwitz.berlin\/?post_type=dt_portfolio&#038;p=15286"},"modified":"2026-02-21T17:20:16","modified_gmt":"2026-02-21T16:20:16","slug":"69","status":"publish","type":"dt_portfolio","link":"https:\/\/www.kaethe-kollwitz.berlin\/en\/project\/69\/","title":{"rendered":"69"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]Oskar Kokoschka<\/p>\n<p>Max Reinhardt<\/p>\n<p>1919<\/p>\n<p>&nbsp;<\/p>\n<p>Crayon lithograph<\/p>\n<p>&nbsp;<\/p>\n<p>Staatliche Museen zu Berlin, Kupferstichkabinett<\/p>\n<p>&nbsp;<\/p>\n<p>Max Reinhardt (1873\u20131943) was a significant figure in Berlin theater history after 1900. In addition to his innovative productions at the Schumann Circus, he was also committed to technical innovations such as the revolving stage and new lighting systems.[\/vc_column_text]<div class=\"ult-spacer spacer-69ec83390340b\" data-id=\"69ec83390340b\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;]<div class=\"ult-spacer spacer-69ec83390345c\" data-id=\"69ec83390345c\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<hr \/>\n<p>[\/vc_column_text]<style type=\"text\/css\">#dt-btn-1 {color: #888888;border-color: #ffffff;}#dt-btn-1 > .text-wrap * {color: #888888;}#dt-btn-1:hover {color: #ffffff;background: #888888;border-color: #888888;}#dt-btn-1:hover > .text-wrap * {color: #ffffff;}<\/style><a href=\"\/theater\/\" class=\"btn-shortcode dt-btn-m dt-btn outline-bg-btn custom-btn-color custom-btn-hover-color\" id=\"dt-btn-1\"><span>&lt; zur\u00fcck<\/span><\/a><div class=\"ult-spacer spacer-69ec833903572\" data-id=\"69ec833903572\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Oskar Kokoschka<br \/>\nMax Reinhardt<br \/>\n1919<\/p>\n<p>Crayon lithograph<\/p>\n<p>Staatliche Museen zu Berlin, Kupferstichkabinett<\/p>\n<p>Max Reinhardt (1873\u20131943) was a significant figure in Berlin theater history after 1900. In addition to his innovative productions at the Schumann Circus, he was also committed to technical innovations such as the revolving stage and new lighting systems.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[183],"dt_portfolio_tags":[],"class_list":["post-15286","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-room-4","dt_portfolio_category-183","description-off"],"_links":{"self":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15286","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/comments?post=15286"}],"version-history":[{"count":1,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15286\/revisions"}],"predecessor-version":[{"id":15288,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15286\/revisions\/15288"}],"wp:attachment":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/media?parent=15286"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=15286"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=15286"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}