{"id":15282,"date":"2026-02-21T17:17:21","date_gmt":"2026-02-21T16:17:21","guid":{"rendered":"https:\/\/www.kaethe-kollwitz.berlin\/?post_type=dt_portfolio&#038;p=15282"},"modified":"2026-02-21T17:17:21","modified_gmt":"2026-02-21T16:17:21","slug":"68","status":"publish","type":"dt_portfolio","link":"https:\/\/www.kaethe-kollwitz.berlin\/en\/project\/68\/","title":{"rendered":"68"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]Emil Orlik<\/p>\n<p>Teiresias and the angry mob from \u201cOedipus Rex\u201d<\/p>\n<p>1910<\/p>\n<p>(Production by Max Reinhardt at Circus Schumann Berlin, 1910)<\/p>\n<p>&nbsp;<\/p>\n<p>Crayon lithograph in black<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Berlin City Museum Foundation<\/p>\n<p>&nbsp;<\/p>\n<p>After the premiere of \u201cOedipus Rex,\u201d K\u00e4the Kollwitz particularly emphasized the violent waving of the suffering people. Here, the blind seer Teiresias approaches the palace with the angry crowd in front of it. He will reveal to Oedipus the truth about his fateful role in the tragedy.[\/vc_column_text]<div class=\"ult-spacer spacer-6a2fbec618eef\" data-id=\"6a2fbec618eef\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;]<div class=\"ult-spacer spacer-6a2fbec618f38\" data-id=\"6a2fbec618f38\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<hr \/>\n<p>[\/vc_column_text]<style type=\"text\/css\">#dt-btn-1 {color: #888888;border-color: #ffffff;}#dt-btn-1 > .text-wrap * {color: #888888;}#dt-btn-1:hover {color: #ffffff;background: #888888;border-color: #888888;}#dt-btn-1:hover > .text-wrap * {color: #ffffff;}<\/style><a href=\"\/theater\/\" class=\"btn-shortcode dt-btn-m dt-btn outline-bg-btn custom-btn-color custom-btn-hover-color\" id=\"dt-btn-1\"><span>&lt; zur\u00fcck<\/span><\/a><div class=\"ult-spacer spacer-6a2fbec619032\" data-id=\"6a2fbec619032\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Emil Orlik<br \/>\nTeiresias and the angry mob from \u201cOedipus Rex\u201d<br \/>\n1910<br \/>\n(Production by Max Reinhardt at Circus Schumann Berlin, 1910)<\/p>\n<p>Crayon lithograph in black<\/p>\n<p>Berlin City Museum Foundation<\/p>\n<p>After the premiere of \u201cOedipus Rex,\u201d K\u00e4the Kollwitz particularly emphasized the violent waving of the suffering people. Here, the blind seer Teiresias approaches the palace with the angry crowd in front of it. He will reveal to Oedipus the truth about his fateful role in the tragedy.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[183],"dt_portfolio_tags":[],"class_list":["post-15282","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-room-4","dt_portfolio_category-183","description-off"],"_links":{"self":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15282","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/comments?post=15282"}],"version-history":[{"count":1,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15282\/revisions"}],"predecessor-version":[{"id":15284,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15282\/revisions\/15284"}],"wp:attachment":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/media?parent=15282"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=15282"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=15282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}