{"id":15272,"date":"2026-02-21T17:06:24","date_gmt":"2026-02-21T16:06:24","guid":{"rendered":"https:\/\/www.kaethe-kollwitz.berlin\/?post_type=dt_portfolio&#038;p=15272"},"modified":"2026-02-21T17:11:31","modified_gmt":"2026-02-21T16:11:31","slug":"66","status":"publish","type":"dt_portfolio","link":"https:\/\/www.kaethe-kollwitz.berlin\/en\/project\/66\/","title":{"rendered":"66"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]Emil Orlik<\/p>\n<p>Chorus of Elders from \u201cOedipus Rex\u201d<\/p>\n<p>1910<\/p>\n<p>(Production by Max Reinhardt at Circus Schumann Berlin, 1910)<\/p>\n<p>&nbsp;<\/p>\n<p>Crayon lithograph in black<\/p>\n<p>&nbsp;<\/p>\n<p>Berlin City Museum Foundation<\/p>\n<p>&nbsp;<\/p>\n<p>The \u201cchorus\u201d in ancient drama occupies a central position between the main characters and the people. It represents the average person and acts as a representative of the people, whose concerns it voices to the protagonists. At the same time, the chorus comments on the most important stages of the action.[\/vc_column_text]<div class=\"ult-spacer spacer-6a2fccc00a498\" data-id=\"6a2fccc00a498\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;]<div class=\"ult-spacer spacer-6a2fccc00a4d6\" data-id=\"6a2fccc00a4d6\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<hr \/>\n<p>[\/vc_column_text]<style type=\"text\/css\">#dt-btn-1 {color: #888888;border-color: #ffffff;}#dt-btn-1 > .text-wrap * {color: #888888;}#dt-btn-1:hover {color: #ffffff;background: #888888;border-color: #888888;}#dt-btn-1:hover > .text-wrap * {color: #ffffff;}<\/style><a href=\"\/theater\/\" class=\"btn-shortcode dt-btn-m dt-btn outline-bg-btn custom-btn-color custom-btn-hover-color\" id=\"dt-btn-1\"><span>&lt; zur\u00fcck<\/span><\/a><div class=\"ult-spacer spacer-6a2fccc00a58c\" data-id=\"6a2fccc00a58c\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Emil Orlik<br \/>\nChorus of Elders from \u201cOedipus Rex\u201d<br \/>\n1910<br \/>\n(Production by Max Reinhardt at Circus Schumann Berlin, 1910)<\/p>\n<p>Crayon lithograph in black<\/p>\n<p>Berlin City Museum Foundation<\/p>\n<p>The \u201cchorus\u201d in ancient drama occupies a central position between the main characters and the people. It represents the average person and acts as a representative of the people, whose concerns it voices to the protagonists. At the same time, the chorus comments on the most important stages of the action.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[183],"dt_portfolio_tags":[],"class_list":["post-15272","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-room-4","dt_portfolio_category-183","description-off"],"_links":{"self":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15272","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/comments?post=15272"}],"version-history":[{"count":2,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15272\/revisions"}],"predecessor-version":[{"id":15280,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15272\/revisions\/15280"}],"wp:attachment":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/media?parent=15272"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=15272"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=15272"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}