{"id":15215,"date":"2026-02-21T14:28:42","date_gmt":"2026-02-21T13:28:42","guid":{"rendered":"https:\/\/www.kaethe-kollwitz.berlin\/?post_type=dt_portfolio&#038;p=15215"},"modified":"2026-02-21T14:28:42","modified_gmt":"2026-02-21T13:28:42","slug":"52","status":"publish","type":"dt_portfolio","link":"https:\/\/www.kaethe-kollwitz.berlin\/en\/project\/52\/","title":{"rendered":"52"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]Ernst Stern<\/p>\n<p>Bridge in Paris<\/p>\n<p>1916<\/p>\n<p>Stage design (squared) for \u201cDanton&#8217;s Death\u201d<\/p>\n<p>(staged by Max Reinhardt at the Deutsche Theater Berlin, 1916)<\/p>\n<p>&nbsp;<\/p>\n<p>Pencil, watercolor<\/p>\n<p>&nbsp;<\/p>\n<p>Theater Studies Collection of the University of Cologne<\/p>\n<p>&nbsp;<\/p>\n<p>Alexander Moissi (1879\u20131935) also played the leading role in Max Reinhardt&#8217;s (1873\u20131943) production of Georg B\u00fcchner&#8217;s (1813\u20131837) drama \u201cDanton&#8217;s Death,\u201d which K\u00e4the Kollwitz saw at the end of 1916. She was so impressed by the performance that she sent her sister Lisbeth and her son Hans to the next performance.<\/p>\n<p>The squaring on this draft shows that Stern&#8217;s image idea was enlarged directly to create a background stage set for the production. This makes it possible to understand the visual impression that Kollwitz had on stage.[\/vc_column_text]<div class=\"ult-spacer spacer-69e4b122e7bd0\" data-id=\"69e4b122e7bd0\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;]<div class=\"ult-spacer spacer-69e4b122e7c25\" data-id=\"69e4b122e7c25\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<hr \/>\n<p>[\/vc_column_text]<style type=\"text\/css\">#dt-btn-1 {color: #888888;border-color: #ffffff;}#dt-btn-1 > .text-wrap * {color: #888888;}#dt-btn-1:hover {color: #ffffff;background: #888888;border-color: #888888;}#dt-btn-1:hover > .text-wrap * {color: #ffffff;}<\/style><a href=\"\/theater\/\" class=\"btn-shortcode dt-btn-m dt-btn outline-bg-btn custom-btn-color custom-btn-hover-color\" id=\"dt-btn-1\"><span>&lt; zur\u00fcck<\/span><\/a><div class=\"ult-spacer spacer-69e4b122e7d45\" data-id=\"69e4b122e7d45\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Ernst Stern<br \/>\nBridge in Paris<br \/>\n1916<br \/>\nStage design (squared) for \u201cDanton&#8217;s Death\u201d<br \/>\n(staged by Max Reinhardt at the Deutsche Theater Berlin, 1916)<\/p>\n<p>Pencil, watercolor<\/p>\n<p>Theater Studies Collection of the University of Cologne<\/p>\n<p>Alexander Moissi (1879\u20131935) also played the leading role in Max Reinhardt&#8217;s (1873\u20131943) production of Georg B\u00fcchner&#8217;s (1813\u20131837) drama \u201cDanton&#8217;s Death,\u201d which K\u00e4the Kollwitz saw at the end of 1916. She was so impressed by the performance that she sent her sister Lisbeth and her son Hans to the next performance.<br \/>\nThe squaring on this draft shows that Stern&#8217;s image idea was enlarged directly to create a background stage set for the production. This makes it possible to understand the visual impression that Kollwitz had on stage.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[182],"dt_portfolio_tags":[],"class_list":["post-15215","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-room-3","dt_portfolio_category-182","description-off"],"_links":{"self":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15215","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/comments?post=15215"}],"version-history":[{"count":1,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15215\/revisions"}],"predecessor-version":[{"id":15219,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15215\/revisions\/15219"}],"wp:attachment":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/media?parent=15215"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=15215"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=15215"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}