{"id":15203,"date":"2026-02-21T14:13:57","date_gmt":"2026-02-21T13:13:57","guid":{"rendered":"https:\/\/www.kaethe-kollwitz.berlin\/?post_type=dt_portfolio&#038;p=15203"},"modified":"2026-02-21T14:13:57","modified_gmt":"2026-02-21T13:13:57","slug":"49","status":"publish","type":"dt_portfolio","link":"https:\/\/www.kaethe-kollwitz.berlin\/en\/project\/49\/","title":{"rendered":"49"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]Emil Orlik<\/p>\n<p>Portrait of Hermann Bahr<\/p>\n<p>1908<\/p>\n<p>&nbsp;<\/p>\n<p>Etching, drypoint, roulette in brown-black<\/p>\n<p>&nbsp;<\/p>\n<p>Private collection, Cologne<\/p>\n<p>&nbsp;<\/p>\n<p>In 1948, Hans Kollwitz remembered his mother as a person who had a great sense of humor and loved to laugh. The artist is known to have enjoyed performances of comedies such as \u201cDas Konzert\u201d (The Concert) and \u201cDas Prinzip\u201d (The Principle) by Hermann Bahr. She saw the latter comedy in January 1913 together with her husband and son Peter.[\/vc_column_text]<div class=\"ult-spacer spacer-69e73b1d1aff5\" data-id=\"69e73b1d1aff5\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;]<div class=\"ult-spacer spacer-69e73b1d1b02f\" data-id=\"69e73b1d1b02f\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<hr \/>\n<p>[\/vc_column_text]<style type=\"text\/css\">#dt-btn-1 {color: #888888;border-color: #ffffff;}#dt-btn-1 > .text-wrap * {color: #888888;}#dt-btn-1:hover {color: #ffffff;background: #888888;border-color: #888888;}#dt-btn-1:hover > .text-wrap * {color: #ffffff;}<\/style><a href=\"\/theater\/\" class=\"btn-shortcode dt-btn-m dt-btn outline-bg-btn custom-btn-color custom-btn-hover-color\" id=\"dt-btn-1\"><span>&lt; zur\u00fcck<\/span><\/a><div class=\"ult-spacer spacer-69e73b1d1b0e1\" data-id=\"69e73b1d1b0e1\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Emil Orlik<br \/>\nPortrait of Hermann Bahr<br \/>\n1908<\/p>\n<p>Etching, drypoint, roulette in brown-black<\/p>\n<p>Private collection, Cologne<\/p>\n<p>In 1948, Hans Kollwitz remembered his mother as a person who had a great sense of humor and loved to laugh. The artist is known to have enjoyed performances of comedies such as \u201cDas Konzert\u201d (The Concert) and \u201cDas Prinzip\u201d (The Principle) by Hermann Bahr. She saw the latter comedy in January 1913 together with her husband and son Peter.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[182],"dt_portfolio_tags":[],"class_list":["post-15203","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-room-3","dt_portfolio_category-182","description-off"],"_links":{"self":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15203","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/comments?post=15203"}],"version-history":[{"count":1,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15203\/revisions"}],"predecessor-version":[{"id":15205,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15203\/revisions\/15205"}],"wp:attachment":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/media?parent=15203"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=15203"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=15203"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}