{"id":15178,"date":"2026-02-21T13:11:24","date_gmt":"2026-02-21T12:11:24","guid":{"rendered":"https:\/\/www.kaethe-kollwitz.berlin\/?post_type=dt_portfolio&#038;p=15178"},"modified":"2026-02-21T13:11:24","modified_gmt":"2026-02-21T12:11:24","slug":"44","status":"publish","type":"dt_portfolio","link":"https:\/\/www.kaethe-kollwitz.berlin\/en\/project\/44\/","title":{"rendered":"44"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]Emil Orlik<\/p>\n<p>The Tavern on the Border with Saxony from Schiller&#8217;s \u201cThe Robbers\u201d<\/p>\n<p>1908<\/p>\n<p>&nbsp;<\/p>\n<p>Gouache<\/p>\n<p>&nbsp;<\/p>\n<p>Theater Studies Collection of the University of Cologne<\/p>\n<p>&nbsp;<\/p>\n<p>The scene in this tavern is similar in structure to Kollwitz&#8217;s etching \u201cFour Men in a Pub.\u201d In this tavern scene, too, a dramatic conflict comes to a head. Here, the \u2018good\u2019 brother Karl receives a message forged by his \u201cevil\u201d brother that their father has disowned him.<\/p>\n<p>Orlik (1870\u20131932) also places a group of men with their backs to the viewer in front of a window. With appropriate stage lighting from behind, the shadows cast here and there would suggest that events arising from the situation are about to unfold.[\/vc_column_text]<div class=\"ult-spacer spacer-69f8656ab011b\" data-id=\"69f8656ab011b\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;]<div class=\"ult-spacer spacer-69f8656ab0154\" data-id=\"69f8656ab0154\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<hr \/>\n<p>[\/vc_column_text]<style type=\"text\/css\">#dt-btn-1 {color: #888888;border-color: #ffffff;}#dt-btn-1 > .text-wrap * {color: #888888;}#dt-btn-1:hover {color: #ffffff;background: #888888;border-color: #888888;}#dt-btn-1:hover > .text-wrap * {color: #ffffff;}<\/style><a href=\"\/theater\/\" class=\"btn-shortcode dt-btn-m dt-btn outline-bg-btn custom-btn-color custom-btn-hover-color\" id=\"dt-btn-1\"><span>&lt; zur\u00fcck<\/span><\/a><div class=\"ult-spacer spacer-69f8656ab01fa\" data-id=\"69f8656ab01fa\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Emil Orlik<br \/>\nThe Tavern on the Border with Saxony from Schiller&#8217;s \u201cThe Robbers\u201d<br \/>\n1908<\/p>\n<p>Gouache<\/p>\n<p>Theater Studies Collection of the University of Cologne<\/p>\n<p>The scene in this tavern is similar in structure to Kollwitz&#8217;s etching \u201cFour Men in a Pub.\u201d In this tavern scene, too, a dramatic conflict comes to a head. Here, the \u2018good\u2019 brother Karl receives a message forged by his \u201cevil\u201d brother that their father has disowned him.<br \/>\nOrlik (1870\u20131932) also places a group of men with their backs to the viewer in front of a window. With appropriate stage lighting from behind, the shadows cast here and there would suggest that events arising from the situation are about to unfold.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[182],"dt_portfolio_tags":[],"class_list":["post-15178","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-room-3","dt_portfolio_category-182","description-off"],"_links":{"self":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15178","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/comments?post=15178"}],"version-history":[{"count":1,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15178\/revisions"}],"predecessor-version":[{"id":15180,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15178\/revisions\/15180"}],"wp:attachment":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/media?parent=15178"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=15178"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=15178"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}