{"id":15174,"date":"2026-02-21T13:06:43","date_gmt":"2026-02-21T12:06:43","guid":{"rendered":"https:\/\/www.kaethe-kollwitz.berlin\/?post_type=dt_portfolio&#038;p=15174"},"modified":"2026-02-21T13:06:43","modified_gmt":"2026-02-21T12:06:43","slug":"43","status":"publish","type":"dt_portfolio","link":"https:\/\/www.kaethe-kollwitz.berlin\/en\/project\/43\/","title":{"rendered":"43"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]K\u00e4the Kollwitz<\/p>\n<p>The Prisoners<\/p>\n<p>Sheet 7 from the cycle Peasants&#8217; War<\/p>\n<p>1908<\/p>\n<p>&nbsp;<\/p>\n<p>Etching, line etching, drypoint, emery, and vernis mou<\/p>\n<p>&nbsp;<\/p>\n<p>K\u00e4the Kollwitz Museum Berlin<\/p>\n<p>&nbsp;<\/p>\n<p>While the peasants, huddled together after their defeat, are primarily preoccupied with themselves in the upper composition drawing, the final version of the sheet shows a figure in the center that is particularly emphasized. She seems to be the only one staring intently at the viewer. With this figure, the artist invites us to empathize with the miserable situation of the prisoners.<\/p>\n<p>It seems as if K\u00e4the Kollwitz had the later viewer in mind when she created her design, as someone who could be addressed directly. Like the performers on stage, she was also aware that she had an audience to whom she wanted to communicate something.[\/vc_column_text]<div class=\"ult-spacer spacer-6a2fcc981b1dc\" data-id=\"6a2fcc981b1dc\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;]<div class=\"ult-spacer spacer-6a2fcc981b232\" data-id=\"6a2fcc981b232\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<hr \/>\n<p>[\/vc_column_text]<style type=\"text\/css\">#dt-btn-1 {color: #888888;border-color: #ffffff;}#dt-btn-1 > .text-wrap * {color: #888888;}#dt-btn-1:hover {color: #ffffff;background: #888888;border-color: #888888;}#dt-btn-1:hover > .text-wrap * {color: #ffffff;}<\/style><a href=\"\/theater\/\" class=\"btn-shortcode dt-btn-m dt-btn outline-bg-btn custom-btn-color custom-btn-hover-color\" id=\"dt-btn-1\"><span>&lt; zur\u00fcck<\/span><\/a><div class=\"ult-spacer spacer-6a2fcc981b34d\" data-id=\"6a2fcc981b34d\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>K\u00e4the Kollwitz<br \/>\nThe Prisoners<br \/>\nSheet 7 from the cycle Peasants&#8217; War<br \/>\n1908<\/p>\n<p>Etching, line etching, drypoint, emery, and vernis mou<\/p>\n<p>K\u00e4the Kollwitz Museum Berlin<\/p>\n<p>While the peasants, huddled together after their defeat, are primarily preoccupied with themselves in the upper composition drawing, the final version of the sheet shows a figure in the center that is particularly emphasized. She seems to be the only one staring intently at the viewer. With this figure, the artist invites us to empathize with the miserable situation of the prisoners.<br \/>\n It seems as if K\u00e4the Kollwitz had the later viewer in mind when she created her design, as someone who could be addressed directly. Like the performers on stage, she was also aware that she had an audience to whom she wanted to communicate something.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[182],"dt_portfolio_tags":[],"class_list":["post-15174","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-room-3","dt_portfolio_category-182","description-off"],"_links":{"self":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15174","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/comments?post=15174"}],"version-history":[{"count":1,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15174\/revisions"}],"predecessor-version":[{"id":15176,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15174\/revisions\/15176"}],"wp:attachment":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/media?parent=15174"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=15174"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=15174"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}