{"id":15162,"date":"2026-02-21T12:54:37","date_gmt":"2026-02-21T11:54:37","guid":{"rendered":"https:\/\/www.kaethe-kollwitz.berlin\/?post_type=dt_portfolio&#038;p=15162"},"modified":"2026-02-21T12:54:37","modified_gmt":"2026-02-21T11:54:37","slug":"40","status":"publish","type":"dt_portfolio","link":"https:\/\/www.kaethe-kollwitz.berlin\/en\/project\/40\/","title":{"rendered":"40"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]K\u00e4the Kollwitz<\/p>\n<p>Outbreak<\/p>\n<p>Sheet 5 from the cycle Peasants&#8217; War<\/p>\n<p>1902\/03<\/p>\n<p>&nbsp;<\/p>\n<p>Etching, line etching, drypoint, aquatint, and vernis mou<\/p>\n<p>&nbsp;<\/p>\n<p>K\u00e4the Kollwitz Museum Berlin<\/p>\n<p>&nbsp;<\/p>\n<p>In her series Peasants&#8217; War, K\u00e4the Kollwitz took up for the first time the motif of the (human) crowd, which had emerged with the industrial age and was a theme in contemporary theater. According to a psychological theory by Gustave Le Bon (1841\u20131931), a group of individuals can merge into a crowd in which the individual disappears. This mass acts like a living being, led by individuals who emerge from it as leaders.<\/p>\n<p>The print \u201cOutbreak\u201d reveals revolutionary energies. The mass of farmers charging forward in a wedge formation forms an inextricable mixture of limbs, heads, and weapons. Only a few individuals can be distinguished.[\/vc_column_text]<div class=\"ult-spacer spacer-69e74bef071c8\" data-id=\"69e74bef071c8\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;]<div class=\"ult-spacer spacer-69e74bef07211\" data-id=\"69e74bef07211\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<hr \/>\n<p>[\/vc_column_text]<style type=\"text\/css\">#dt-btn-1 {color: #888888;border-color: #ffffff;}#dt-btn-1 > .text-wrap * {color: #888888;}#dt-btn-1:hover {color: #ffffff;background: #888888;border-color: #888888;}#dt-btn-1:hover > .text-wrap * {color: #ffffff;}<\/style><a href=\"\/theater\/\" class=\"btn-shortcode dt-btn-m dt-btn outline-bg-btn custom-btn-color custom-btn-hover-color\" id=\"dt-btn-1\"><span>&lt; zur\u00fcck<\/span><\/a><div class=\"ult-spacer spacer-69e74bef072fe\" data-id=\"69e74bef072fe\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>K\u00e4the Kollwitz<br \/>\nOutbreak<br \/>\nSheet 5 from the cycle Peasants&#8217; War<br \/>\n1902\/03<\/p>\n<p>Etching, line etching, drypoint, aquatint, and vernis mou<\/p>\n<p>K\u00e4the Kollwitz Museum Berlin<\/p>\n<p>In her series Peasants&#8217; War, K\u00e4the Kollwitz took up for the first time the motif of the (human) crowd, which had emerged with the industrial age and was a theme in contemporary theater. According to a psychological theory by Gustave Le Bon (1841\u20131931), a group of individuals can merge into a crowd in which the individual disappears. This mass acts like a living being, led by individuals who emerge from it as leaders.<br \/>\nThe print \u201cOutbreak\u201d reveals revolutionary energies. The mass of farmers charging forward in a wedge formation forms an inextricable mixture of limbs, heads, and weapons. Only a few individuals can be distinguished.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[182],"dt_portfolio_tags":[],"class_list":["post-15162","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-room-3","dt_portfolio_category-182","description-off"],"_links":{"self":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15162","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/comments?post=15162"}],"version-history":[{"count":1,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15162\/revisions"}],"predecessor-version":[{"id":15164,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15162\/revisions\/15164"}],"wp:attachment":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/media?parent=15162"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=15162"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=15162"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}