{"id":15136,"date":"2026-02-21T12:11:58","date_gmt":"2026-02-21T11:11:58","guid":{"rendered":"https:\/\/www.kaethe-kollwitz.berlin\/?post_type=dt_portfolio&#038;p=15136"},"modified":"2026-02-21T12:11:58","modified_gmt":"2026-02-21T11:11:58","slug":"35","status":"publish","type":"dt_portfolio","link":"https:\/\/www.kaethe-kollwitz.berlin\/en\/project\/35\/","title":{"rendered":"35"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]K\u00e4the Kollwitz<\/p>\n<p>Need, 1893\u20131897<br \/>\nCrayon and brush lithography, scraper and scraper needle<\/p>\n<p>Death, 1893\u20131897<br \/>\nCrayon, pen and brush lithography, scraper and scraper needle<\/p>\n<p>Conspiracy, 1893\u20131897<br \/>\nCrayon lithography, scraper and scraper needle<\/p>\n<p>K\u00e4the-Kollwitz-Museum Berlin<\/p>\n<p>&nbsp;<\/p>\n<p>Sheets 1 to 3 of the cycle \u201cA Weavers&#8217; Revolt\u201d<\/p>\n<p>K\u00e4the Kollwitz constructed her series \u201cA Weavers&#8217; Revolt\u201d using a dramatic structure similar to that of a play, even though the sequence of images does not follow the classic five-act structure of theater. The artist depicts the weavers&#8217; miserable situation in two sheets (\u201cNeed,\u201d \u201cDeath\u201d) \u2013 just as Gerhart Hauptmann (1862\u20131946) dedicates two acts to it, also in an anti-classical manner. It is important to both artists to evoke sympathy in the audience for the plight of the weavers.[\/vc_column_text]<div class=\"ult-spacer spacer-69e4b137c9290\" data-id=\"69e4b137c9290\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;]<div class=\"ult-spacer spacer-69e4b137c92e0\" data-id=\"69e4b137c92e0\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<hr \/>\n<p>[\/vc_column_text]<style type=\"text\/css\">#dt-btn-1 {color: #888888;border-color: #ffffff;}#dt-btn-1 > .text-wrap * {color: #888888;}#dt-btn-1:hover {color: #ffffff;background: #888888;border-color: #888888;}#dt-btn-1:hover > .text-wrap * {color: #ffffff;}<\/style><a href=\"\/theater\/\" class=\"btn-shortcode dt-btn-m dt-btn outline-bg-btn custom-btn-color custom-btn-hover-color\" id=\"dt-btn-1\"><span>&lt; zur\u00fcck<\/span><\/a><div class=\"ult-spacer spacer-69e4b137c93dd\" data-id=\"69e4b137c93dd\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>K\u00e4the Kollwitz<\/p>\n<p>Need, 1893\u20131897<br \/>\nCrayon and brush lithography, scraper and scraper needle<\/p>\n<p>Death, 1893\u20131897<br \/>\nCrayon, pen and brush lithography, scraper and scraper needle<\/p>\n<p>Conspiracy, 1893\u20131897<br \/>\nCrayon lithography, scraper and scraper needle<\/p>\n<p>K\u00e4the-Kollwitz-Museum Berlin<\/p>\n<p>Sheets 1 to 3 of the cycle \u201cA Weavers&#8217; Revolt\u201d<\/p>\n<p>K\u00e4the Kollwitz constructed her series \u201cA Weavers&#8217; Revolt\u201d using a dramatic structure similar to that of a play, even though the sequence of images does not follow the classic five-act structure of theater. The artist depicts the weavers&#8217; miserable situation in two sheets (\u201cNeed,\u201d \u201cDeath\u201d) \u2013 just as Gerhart Hauptmann (1862\u20131946) dedicates two acts to it, also in an anti-classical manner. It is important to both artists to evoke sympathy in the audience for the plight of the weavers.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[181],"dt_portfolio_tags":[],"class_list":["post-15136","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-room-2","dt_portfolio_category-181","description-off"],"_links":{"self":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15136","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/comments?post=15136"}],"version-history":[{"count":1,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15136\/revisions"}],"predecessor-version":[{"id":15140,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15136\/revisions\/15140"}],"wp:attachment":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/media?parent=15136"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=15136"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=15136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}