{"id":15110,"date":"2026-02-21T11:39:12","date_gmt":"2026-02-21T10:39:12","guid":{"rendered":"https:\/\/www.kaethe-kollwitz.berlin\/?post_type=dt_portfolio&#038;p=15110"},"modified":"2026-02-21T11:40:40","modified_gmt":"2026-02-21T10:40:40","slug":"29","status":"publish","type":"dt_portfolio","link":"https:\/\/www.kaethe-kollwitz.berlin\/en\/project\/29\/","title":{"rendered":"29"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]Max Liebermann<\/p>\n<p>Portrait of Gerhart Hauptmann<\/p>\n<p>1892<\/p>\n<p>&nbsp;<\/p>\n<p>Pastel<\/p>\n<p>&nbsp;<\/p>\n<p>Staatsbibliothek zu Berlin &#8211; Preu\u00dfischer Kulturbesitz<\/p>\n<p>&nbsp;<\/p>\n<p>K\u00e4the Kollwitz had already met Gerhart Hauptmann (1862\u20131946) before she saw the premiere of his drama \u201cDie Weber\u201d (The Weavers) on stage in 1893. The two had probably met before she began her studies in Berlin in 1886\/87. During that winter semester, the aspiring artist was presumably invited several times to the home of the then still unknown poet in Erkner near Berlin. A loose correspondence developed between the two until 1943.[\/vc_column_text]<div class=\"ult-spacer spacer-69e2ac67c1216\" data-id=\"69e2ac67c1216\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;]<div class=\"ult-spacer spacer-69e2ac67c1266\" data-id=\"69e2ac67c1266\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<hr \/>\n<p>[\/vc_column_text]<style type=\"text\/css\">#dt-btn-1 {color: #888888;border-color: #ffffff;}#dt-btn-1 > .text-wrap * {color: #888888;}#dt-btn-1:hover {color: #ffffff;background: #888888;border-color: #888888;}#dt-btn-1:hover > .text-wrap * {color: #ffffff;}<\/style><a href=\"\/theater\/\" class=\"btn-shortcode dt-btn-m dt-btn outline-bg-btn custom-btn-color custom-btn-hover-color\" id=\"dt-btn-1\"><span>&lt; zur\u00fcck<\/span><\/a><div class=\"ult-spacer spacer-69e2ac67c138b\" data-id=\"69e2ac67c138b\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Max Liebermann<\/p>\n<p>Portrait of Gerhart Hauptmann<\/p>\n<p>1892<\/p>\n<p>Pastel<\/p>\n<p>Staatsbibliothek zu Berlin &#8211; Preu\u00dfischer Kulturbesitz<\/p>\n<p>K\u00e4the Kollwitz had already met Gerhart Hauptmann (1862\u20131946) before she saw the premiere of his drama \u201cDie Weber\u201d (The Weavers) on stage in 1893. The two had probably met before she began her studies in Berlin in 1886\/87. During that winter semester, the aspiring artist was presumably invited several times to the home of the then still unknown poet in Erkner near Berlin. A loose correspondence developed between the two until 1943.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[181],"dt_portfolio_tags":[],"class_list":["post-15110","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-room-2","dt_portfolio_category-181","description-off"],"_links":{"self":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15110","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/comments?post=15110"}],"version-history":[{"count":3,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15110\/revisions"}],"predecessor-version":[{"id":15114,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15110\/revisions\/15114"}],"wp:attachment":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/media?parent=15110"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=15110"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=15110"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}