{"id":15097,"date":"2026-02-21T11:29:37","date_gmt":"2026-02-21T10:29:37","guid":{"rendered":"https:\/\/www.kaethe-kollwitz.berlin\/?post_type=dt_portfolio&#038;p=15097"},"modified":"2026-02-21T11:29:37","modified_gmt":"2026-02-21T10:29:37","slug":"26","status":"publish","type":"dt_portfolio","link":"https:\/\/www.kaethe-kollwitz.berlin\/en\/project\/26\/","title":{"rendered":"26"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]K\u00e4the Kollwitz<\/p>\n<p>K\u00f6nigsberg Pub<\/p>\n<p>circa 1891<\/p>\n<p>&nbsp;<\/p>\n<p>Pen and ink in black, gray wash on drawing paper<\/p>\n<p>&nbsp;<\/p>\n<p>K\u00e4the Kollwitz Museum Cologne<\/p>\n<p>&nbsp;<\/p>\n<p>After receiving recognition from her colleagues in Munich for an illustration for \u00c9mile Zola&#8217;s (1840\u20131902) novel Germinal, K\u00e4the Kollwitz continued to pursue the theme upon her return to K\u00f6nigsberg. During the day, she made drawings in disreputable harbor pubs for the setting of the fight scene from Germinal that she wanted to depict.<\/p>\n<p>The artist clearly based her work on the principle of the peep-box stage, in which the audience looks into the setting of an event as if through a missing fourth wall.[\/vc_column_text]<div class=\"ult-spacer spacer-6a2fc975e8277\" data-id=\"6a2fc975e8277\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;]<div class=\"ult-spacer spacer-6a2fc975e82af\" data-id=\"6a2fc975e82af\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<hr \/>\n<p>[\/vc_column_text]<style type=\"text\/css\">#dt-btn-1 {color: #888888;border-color: #ffffff;}#dt-btn-1 > .text-wrap * {color: #888888;}#dt-btn-1:hover {color: #ffffff;background: #888888;border-color: #888888;}#dt-btn-1:hover > .text-wrap * {color: #ffffff;}<\/style><a href=\"\/theater\/\" class=\"btn-shortcode dt-btn-m dt-btn outline-bg-btn custom-btn-color custom-btn-hover-color\" id=\"dt-btn-1\"><span>&lt; zur\u00fcck<\/span><\/a><div class=\"ult-spacer spacer-6a2fc975e835e\" data-id=\"6a2fc975e835e\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>K\u00e4the Kollwitz<br \/>\nK\u00f6nigsberg Pub<br \/>\ncirca 1891<\/p>\n<p>Pen and ink in black, gray wash on drawing paper<\/p>\n<p>K\u00e4the Kollwitz Museum Cologne<\/p>\n<p>After receiving recognition from her colleagues in Munich for an illustration for \u00c9mile Zola&#8217;s (1840\u20131902) novel Germinal, K\u00e4the Kollwitz continued to pursue the theme upon her return to K\u00f6nigsberg. During the day, she made drawings in disreputable harbor pubs for the setting of the fight scene from Germinal that she wanted to depict.<br \/>\nThe artist clearly based her work on the principle of the peep-box stage, in which the audience looks into the setting of an event as if through a missing fourth wall.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[181],"dt_portfolio_tags":[],"class_list":["post-15097","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-room-2","dt_portfolio_category-181","description-off"],"_links":{"self":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15097","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/comments?post=15097"}],"version-history":[{"count":1,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15097\/revisions"}],"predecessor-version":[{"id":15099,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15097\/revisions\/15099"}],"wp:attachment":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/media?parent=15097"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=15097"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=15097"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}