{"id":15089,"date":"2026-02-21T02:19:47","date_gmt":"2026-02-21T01:19:47","guid":{"rendered":"https:\/\/www.kaethe-kollwitz.berlin\/?post_type=dt_portfolio&#038;p=15089"},"modified":"2026-02-21T02:19:47","modified_gmt":"2026-02-21T01:19:47","slug":"24","status":"publish","type":"dt_portfolio","link":"https:\/\/www.kaethe-kollwitz.berlin\/en\/project\/24\/","title":{"rendered":"24"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]K\u00e4the Kollwitz<\/p>\n<p>At the Church Wall<\/p>\n<p>1893<\/p>\n<p>&nbsp;<\/p>\n<p>Etching, line etching, drypoint, and brush etching<\/p>\n<p>&nbsp;<\/p>\n<p>K\u00e4the Kollwitz Museum Berlin<\/p>\n<p>&nbsp;<\/p>\n<p>A comparison reveals that K\u00e4the Kollwitz was inspired by existing depictions when she first began her artistic interpretation of the figure of Gretchen. While Eug\u00e8ne Delacroix (1798\u20131863) shows the girl unhappy in love, the artist uses the seated motif for the deeply despairing Gretchen, who realizes she is pregnant out of wedlock.[\/vc_column_text]<div class=\"ult-spacer spacer-69e9fbb5ce5b3\" data-id=\"69e9fbb5ce5b3\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;]<div class=\"ult-spacer spacer-69e9fbb5ce5e9\" data-id=\"69e9fbb5ce5e9\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<hr \/>\n<p>[\/vc_column_text]<style type=\"text\/css\">#dt-btn-1 {color: #888888;border-color: #ffffff;}#dt-btn-1 > .text-wrap * {color: #888888;}#dt-btn-1:hover {color: #ffffff;background: #888888;border-color: #888888;}#dt-btn-1:hover > .text-wrap * {color: #ffffff;}<\/style><a href=\"\/theater\/\" class=\"btn-shortcode dt-btn-m dt-btn outline-bg-btn custom-btn-color custom-btn-hover-color\" id=\"dt-btn-1\"><span>&lt; zur\u00fcck<\/span><\/a><div class=\"ult-spacer spacer-69e9fbb5ce6aa\" data-id=\"69e9fbb5ce6aa\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>K\u00e4the Kollwitz<br \/>\nAt the Church Wall<br \/>\n1893<\/p>\n<p>Etching, line etching, drypoint, and brush etching<\/p>\n<p>K\u00e4the Kollwitz Museum Berlin<\/p>\n<p>A comparison reveals that K\u00e4the Kollwitz was inspired by existing depictions when she first began her artistic interpretation of the figure of Gretchen. While Eug\u00e8ne Delacroix (1798\u20131863) shows the girl unhappy in love, the artist uses the seated motif for the deeply despairing Gretchen, who realizes she is pregnant out of wedlock.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[181],"dt_portfolio_tags":[],"class_list":["post-15089","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-room-2","dt_portfolio_category-181","description-off"],"_links":{"self":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15089","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/comments?post=15089"}],"version-history":[{"count":1,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15089\/revisions"}],"predecessor-version":[{"id":15091,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15089\/revisions\/15091"}],"wp:attachment":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/media?parent=15089"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=15089"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=15089"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}