{"id":15085,"date":"2026-02-21T02:17:43","date_gmt":"2026-02-21T01:17:43","guid":{"rendered":"https:\/\/www.kaethe-kollwitz.berlin\/?post_type=dt_portfolio&#038;p=15085"},"modified":"2026-02-21T11:30:30","modified_gmt":"2026-02-21T10:30:30","slug":"23","status":"publish","type":"dt_portfolio","link":"https:\/\/www.kaethe-kollwitz.berlin\/en\/project\/23\/","title":{"rendered":"23"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]K\u00e4the Kollwitz<\/p>\n<p>Seated Woman Covering Her Face with Her Right Hand<\/p>\n<p>circa 1893<\/p>\n<p>&nbsp;<\/p>\n<p>Charcoal and pen in black ink on drawing paper<\/p>\n<p>&nbsp;<\/p>\n<p>Private collection<\/p>\n<p>&nbsp;<\/p>\n<p>While the ink drawing, probably created in Munich, only hints at the Gretchen motif, the reference to Goethe&#8217;s Faust tragedy is more evident in this drawing. It prepares the ground for the etching \u201cAn der Kirchenmauer\u201d (At the Church Wall), in which a niche in the masonry and the long robe of a female statue can be seen above the seated woman.[\/vc_column_text]<div class=\"ult-spacer spacer-69e4c76432f10\" data-id=\"69e4c76432f10\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;]<div class=\"ult-spacer spacer-69e4c76432f44\" data-id=\"69e4c76432f44\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<hr \/>\n<p>[\/vc_column_text]<style type=\"text\/css\">#dt-btn-1 {color: #888888;border-color: #ffffff;}#dt-btn-1 > .text-wrap * {color: #888888;}#dt-btn-1:hover {color: #ffffff;background: #888888;border-color: #888888;}#dt-btn-1:hover > .text-wrap * {color: #ffffff;}<\/style><a href=\"\/theater\/\" class=\"btn-shortcode dt-btn-m dt-btn outline-bg-btn custom-btn-color custom-btn-hover-color\" id=\"dt-btn-1\"><span>&lt; zur\u00fcck<\/span><\/a><div class=\"ult-spacer spacer-69e4c76432ff1\" data-id=\"69e4c76432ff1\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>K\u00e4the Kollwitz<br \/>\nSeated Woman Covering Her Face with Her Right Hand<br \/>\ncirca 1893<\/p>\n<p>Charcoal and pen in black ink on drawing paper<\/p>\n<p>Private collection<\/p>\n<p>While the ink drawing, probably created in Munich, only hints at the Gretchen motif, the reference to Goethe&#8217;s Faust tragedy is more evident in this drawing. It prepares the ground for the etching \u201cAn der Kirchenmauer\u201d (At the Church Wall), in which a niche in the masonry and the long robe of a female statue can be seen above the seated woman.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[181],"dt_portfolio_tags":[],"class_list":["post-15085","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-room-2","dt_portfolio_category-181","description-off"],"_links":{"self":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15085","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/comments?post=15085"}],"version-history":[{"count":2,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15085\/revisions"}],"predecessor-version":[{"id":15100,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15085\/revisions\/15100"}],"wp:attachment":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/media?parent=15085"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=15085"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=15085"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}