{"id":15053,"date":"2026-02-21T01:59:45","date_gmt":"2026-02-21T00:59:45","guid":{"rendered":"https:\/\/www.kaethe-kollwitz.berlin\/?post_type=dt_portfolio&#038;p=15053"},"modified":"2026-02-21T01:59:45","modified_gmt":"2026-02-21T00:59:45","slug":"15","status":"publish","type":"dt_portfolio","link":"https:\/\/www.kaethe-kollwitz.berlin\/en\/project\/15\/","title":{"rendered":"15"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]Lovis Corinth<\/p>\n<p>Stage design for the prologue in heaven in \u201cFaust I\u201d<\/p>\n<p>1922<\/p>\n<p>(Production by Victor Barnowsky at the Lessingtheater Berlin, 1922)<\/p>\n<p>&nbsp;<\/p>\n<p>Pastel<\/p>\n<p>&nbsp;<\/p>\n<p>Theater Studies Collection of the University of Cologne<\/p>\n<p>&nbsp;<\/p>\n<p>Lovis Corinth (1858\u20131925) was commissioned in 1922 to create the stage design for Victor Barnowsky&#8217;s (1875\u20131952) production of \u201cFaust. Part I\u201d at the Lessingtheater. He developed his overall concept from the scene of the prologue in heaven, in which the three archangels glorify God&#8217;s works. The outline of a Gothic vault for later scenes already appears in the heavenly scene.[\/vc_column_text]<div class=\"ult-spacer spacer-69e4dc8714bf4\" data-id=\"69e4dc8714bf4\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;]<div class=\"ult-spacer spacer-69e4dc8714c2c\" data-id=\"69e4dc8714c2c\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<hr \/>\n<p>[\/vc_column_text]<style type=\"text\/css\">#dt-btn-1 {color: #888888;border-color: #ffffff;}#dt-btn-1 > .text-wrap * {color: #888888;}#dt-btn-1:hover {color: #ffffff;background: #888888;border-color: #888888;}#dt-btn-1:hover > .text-wrap * {color: #ffffff;}<\/style><a href=\"\/theater\/\" class=\"btn-shortcode dt-btn-m dt-btn outline-bg-btn custom-btn-color custom-btn-hover-color\" id=\"dt-btn-1\"><span>&lt; zur\u00fcck<\/span><\/a><div class=\"ult-spacer spacer-69e4dc8714cdb\" data-id=\"69e4dc8714cdb\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Lovis Corinth<br \/>\nStage design for the prologue in heaven in \u201cFaust I\u201d<br \/>\n1922<br \/>\n(Production by Victor Barnowsky at the Lessingtheater Berlin, 1922) <\/p>\n<p>Pastel<\/p>\n<p>Theater Studies Collection of the University of Cologne<\/p>\n<p>Lovis Corinth (1858\u20131925) was commissioned in 1922 to create the stage design for Victor Barnowsky&#8217;s (1875\u20131952) production of \u201cFaust. Part I\u201d at the Lessingtheater. He developed his overall concept from the scene of the prologue in heaven, in which the three archangels glorify God&#8217;s works. The outline of a Gothic vault for later scenes already appears in the heavenly scene.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[170],"dt_portfolio_tags":[],"class_list":["post-15053","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-room-1","dt_portfolio_category-170","description-off"],"_links":{"self":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15053","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/comments?post=15053"}],"version-history":[{"count":1,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15053\/revisions"}],"predecessor-version":[{"id":15055,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15053\/revisions\/15055"}],"wp:attachment":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/media?parent=15053"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=15053"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=15053"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}