{"id":15044,"date":"2026-02-21T01:56:09","date_gmt":"2026-02-21T00:56:09","guid":{"rendered":"https:\/\/www.kaethe-kollwitz.berlin\/?post_type=dt_portfolio&#038;p=15044"},"modified":"2026-02-21T01:56:09","modified_gmt":"2026-02-21T00:56:09","slug":"13","status":"publish","type":"dt_portfolio","link":"https:\/\/www.kaethe-kollwitz.berlin\/en\/project\/13\/","title":{"rendered":"13"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]Ernst Stern<\/p>\n<p>Figurine (costume design) for Sorge in \u201cFaust II\u201d<\/p>\n<p>1911<\/p>\n<p>(Production by Max Reinhardt at the Deutsche Theater Berlin, 1911)<\/p>\n<p>&nbsp;<\/p>\n<p>Mixed media<\/p>\n<p>&nbsp;<\/p>\n<p>Theater Studies Collection of the University of Cologne<\/p>\n<p>&nbsp;<\/p>\n<p>Another scene, which the artist described to her son Hans in 1911 as \u201cdelicate and captivating,\u201d revolves around Faust&#8217;s purification in the final act, which redeems him from his pact with the devil. To this end, he is approached by the \u201cFour Gray Women,\u201d the personifications of want, need, guilt, and worry. But only worry, which Kollwitz also mentions separately, succeeds in touching Faust&#8217;s innermost being and bringing him to his senses.[\/vc_column_text]<div class=\"ult-spacer spacer-6a2fe0e699588\" data-id=\"6a2fe0e699588\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;]<div class=\"ult-spacer spacer-6a2fe0e6995be\" data-id=\"6a2fe0e6995be\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<hr \/>\n<p>[\/vc_column_text]<style type=\"text\/css\">#dt-btn-1 {color: #888888;border-color: #ffffff;}#dt-btn-1 > .text-wrap * {color: #888888;}#dt-btn-1:hover {color: #ffffff;background: #888888;border-color: #888888;}#dt-btn-1:hover > .text-wrap * {color: #ffffff;}<\/style><a href=\"\/theater\/\" class=\"btn-shortcode dt-btn-m dt-btn outline-bg-btn custom-btn-color custom-btn-hover-color\" id=\"dt-btn-1\"><span>&lt; zur\u00fcck<\/span><\/a><div class=\"ult-spacer spacer-6a2fe0e699662\" data-id=\"6a2fe0e699662\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Ernst Stern<br \/>\nFigurine (costume design) for Sorge in \u201cFaust II\u201d<br \/>\n1911<br \/>\n(Production by Max Reinhardt at the Deutsche Theater Berlin, 1911)<\/p>\n<p>Mixed media<\/p>\n<p>Theater Studies Collection of the University of Cologne<\/p>\n<p>Another scene, which the artist described to her son Hans in 1911 as \u201cdelicate and captivating,\u201d revolves around Faust&#8217;s purification in the final act, which redeems him from his pact with the devil. To this end, he is approached by the \u201cFour Gray Women,\u201d the personifications of want, need, guilt, and worry. But only worry, which Kollwitz also mentions separately, succeeds in touching Faust&#8217;s innermost being and bringing him to his senses.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[170],"dt_portfolio_tags":[],"class_list":["post-15044","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-room-1","dt_portfolio_category-170","description-off"],"_links":{"self":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15044","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/comments?post=15044"}],"version-history":[{"count":1,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15044\/revisions"}],"predecessor-version":[{"id":15050,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/15044\/revisions\/15050"}],"wp:attachment":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/media?parent=15044"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=15044"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=15044"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}