{"id":14958,"date":"2026-02-20T17:46:42","date_gmt":"2026-02-20T16:46:42","guid":{"rendered":"https:\/\/www.kaethe-kollwitz.berlin\/?post_type=dt_portfolio&#038;p=14958"},"modified":"2026-02-20T17:46:42","modified_gmt":"2026-02-20T16:46:42","slug":"5","status":"publish","type":"dt_portfolio","link":"https:\/\/www.kaethe-kollwitz.berlin\/en\/project\/5\/","title":{"rendered":"5"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]K\u00e4the Kollwitz<\/p>\n<p>Young Couple<\/p>\n<p>1904?<\/p>\n<p>&nbsp;<\/p>\n<p>Etching, line etching, emery, reverse etching, and vernis mou with fabric printing<\/p>\n<p>&nbsp;<\/p>\n<p>K\u00e4the Kollwitz Museum Berlin<\/p>\n<p>&nbsp;<\/p>\n<p>The subject of the 1893 etching clearly remained close to K\u00e4the Kollwitz&#8217;s heart, as she revisited it after 1900. It is possible that she was dissatisfied with the technical execution of the earlier version. In the later print, the artist employed more complex intaglio techniques.[\/vc_column_text]<div class=\"ult-spacer spacer-69e2718277914\" data-id=\"69e2718277914\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;]<div class=\"ult-spacer spacer-69e2718277951\" data-id=\"69e2718277951\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<hr \/>\n<p>[\/vc_column_text]<style type=\"text\/css\">#dt-btn-1 {color: #888888;border-color: #ffffff;}#dt-btn-1 > .text-wrap * {color: #888888;}#dt-btn-1:hover {color: #ffffff;background: #888888;border-color: #888888;}#dt-btn-1:hover > .text-wrap * {color: #ffffff;}<\/style><a href=\"\/theater\/\" class=\"btn-shortcode dt-btn-m dt-btn outline-bg-btn custom-btn-color custom-btn-hover-color\" id=\"dt-btn-1\"><span>&lt; zur\u00fcck<\/span><\/a><div class=\"ult-spacer spacer-69e2718277a07\" data-id=\"69e2718277a07\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>K\u00e4the Kollwitz<br \/>\nYoung Couple<br \/>\n1904?<\/p>\n<p>Etching, line etching, emery, reverse etching, and vernis mou with fabric printing<\/p>\n<p>K\u00e4the Kollwitz Museum Berlin<\/p>\n<p>The subject of the 1893 etching clearly remained close to K\u00e4the Kollwitz&#8217;s heart, as she revisited it after 1900. It is possible that she was dissatisfied with the technical execution of the earlier version. In the later print, the artist employed more complex intaglio techniques.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[170],"dt_portfolio_tags":[],"class_list":["post-14958","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-room-1","dt_portfolio_category-170","description-off"],"_links":{"self":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/14958","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/comments?post=14958"}],"version-history":[{"count":1,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/14958\/revisions"}],"predecessor-version":[{"id":14970,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/14958\/revisions\/14970"}],"wp:attachment":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/media?parent=14958"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=14958"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=14958"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}