{"id":14950,"date":"2026-02-20T17:55:49","date_gmt":"2026-02-20T16:55:49","guid":{"rendered":"https:\/\/www.kaethe-kollwitz.berlin\/?post_type=dt_portfolio&#038;p=14950"},"modified":"2026-02-20T17:53:12","modified_gmt":"2026-02-20T16:53:12","slug":"7","status":"publish","type":"dt_portfolio","link":"https:\/\/www.kaethe-kollwitz.berlin\/en\/project\/7\/","title":{"rendered":"7"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]K\u00e4the Kollwitz<\/p>\n<p>Young Couple<\/p>\n<p>1893<\/p>\n<p>&nbsp;<\/p>\n<p>Etching, aquatint, emery, and polished steel on vellum, reworked with opaque white<\/p>\n<p>&nbsp;<\/p>\n<p>Staatliche Museen zu Berlin, Kupferstichkabinett<\/p>\n<p>&nbsp;<\/p>\n<p>This early etching can only be indirectly linked to Max Halbes&#8217; (1865\u20131944) romantic drama Jugend (Youth), which premiered in 1893. K\u00e4the Kollwitz herself must have told this to the Berlin art historian Johannes Sievers (1880\u20131969), who published it in his 1913 catalogue raisonn\u00e9 of her graphic works.[\/vc_column_text]<div class=\"ult-spacer spacer-69e271807adc4\" data-id=\"69e271807adc4\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;vc_default&#8221; gap=&#8221;35&#8243;][vc_column width=&#8221;1\/2&#8243;]<div class=\"ult-spacer spacer-69e271807adf8\" data-id=\"69e271807adf8\" data-height=\"30\" data-height-mobile=\"30\" data-height-tab=\"30\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[vc_column_text]<\/p>\n<hr \/>\n<p>[\/vc_column_text]<style type=\"text\/css\">#dt-btn-1 {color: #888888;border-color: #ffffff;}#dt-btn-1 > .text-wrap * {color: #888888;}#dt-btn-1:hover {color: #ffffff;background: #888888;border-color: #888888;}#dt-btn-1:hover > .text-wrap * {color: #ffffff;}<\/style><a href=\"\/en\/theater\/\" class=\"btn-shortcode dt-btn-m dt-btn outline-bg-btn custom-btn-color custom-btn-hover-color\" id=\"dt-btn-1\"><span>&lt; back<\/span><\/a><div class=\"ult-spacer spacer-69e271807aec1\" data-id=\"69e271807aec1\" data-height=\"50\" data-height-mobile=\"50\" data-height-tab=\"50\" data-height-tab-portrait=\"\" data-height-mobile-landscape=\"\" style=\"clear:both;display:block;\"><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>K\u00e4the Kollwitz<br \/>\nYoung Couple<br \/>\n1893<\/p>\n<p>Etching, aquatint, emery, and polished steel on vellum, reworked with opaque white<\/p>\n<p>Staatliche Museen zu Berlin, Kupferstichkabinett<\/p>\n<p>This early etching can only be indirectly linked to Max Halbes&#8217; (1865\u20131944) romantic drama Jugend (Youth), which premiered in 1893. K\u00e4the Kollwitz herself must have told this to the Berlin art historian Johannes Sievers (1880\u20131969), who published it in his 1913 catalogue raisonn\u00e9 of her graphic works. <\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","dt_portfolio_category":[170],"dt_portfolio_tags":[],"class_list":["post-14950","dt_portfolio","type-dt_portfolio","status-publish","hentry","dt_portfolio_category-room-1","dt_portfolio_category-170","description-off"],"_links":{"self":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/14950","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/comments?post=14950"}],"version-history":[{"count":3,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/14950\/revisions"}],"predecessor-version":[{"id":14968,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio\/14950\/revisions\/14968"}],"wp:attachment":[{"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/media?parent=14950"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=14950"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/www.kaethe-kollwitz.berlin\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=14950"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}